1) mounting paintings
裱作
2) decoration and mount
修裱
1.
Starch is the main adhesive for decoration and mount,it has a moderate viscosity and it is low cost and reversible,so it is in favor of taking off the back up.
淀粉浆糊是修裱工作中的主要胶黏剂,它黏性适中,价格便宜,修裱后的字画柔软平整,具有可逆性,有利于原件的揭裱。
2.
Through the study on the combination mechanism of starch adhesive with paper, the performance of three natural starches and some new starch adhesives, this thesis reveals the rational and scientific nature of the starch as a viscose for the archives decoration and mount.
通过对档案修裱粘合剂与纸张粘合作用机理、三种天然淀粉的性能对比以及新型淀粉粘合剂的研究,探讨了淀粉粘合剂作为档案修裱胶粘剂的合理性和科学性,最后展望了淀粉粘合剂在档案修裱中进一步应用的前景。
3.
Through the study on the performance of viscose (or the starch paste) for the archives decoration and mount,its combination mechanism with paper and its manufacture technique,this thesis reveals the rational and scientific nature of the wheat starch paste as a viscose for the archives decoration and mount.
通过对档案修裱胶粘剂——淀粉浆糊的性能、制作技术及胶粘剂与纸张结合机理的研究，探讨了小麦淀粉浆糊作为档案修裱胶粘剂的合理性和科学性。
3) decoration
[英][,dekə'reɪʃn] [美]['dɛkə'reʃən]
裱花
1.
Study on shape maintenance of decoration jam;
蛋糕裱花果酱保型性的研究
5) mount
[英][maʊnt] [美][maunt]
装裱
1.
This paper describes the art of mounting Tangkar, from this one can figure out the importance of mounting to Tangkar drawing and the characteristics.
本文通过对唐卡绘画装裱艺术进行了论述,从而可以看到装裱对唐卡绘画的重要性和装裱的民族特色,使其精美的艺术特色得以展现,在中国民族艺术的舞台上大放光彩。
6) lining
[英]['laɪnɪŋ] [美]['laɪnɪŋ]
裱背
补充资料：苏裱
苏裱 我国裱画的主要派别之一。流行于以苏州为中心的江南地区。苏裱继承了宋代裱背的优良传统，至明代，加以文征明父子、都元敬、王弇洲等的精妙心得，使苏裱更见完善。嘉靖、万历年间为盛期，有“吴装最善，他处无及”的佳评（见明代胡应麟《少室山房笔丛》）。以后更是名家辈出，技艺益精。苏裱一般较素静淡雅，挺拔柔软，选料优良，装制熨贴、整旧得法、形式多样、裱工精佳。并讲求防霉、防蠹。历代苏裱妙手，有一套修复古旧书画的特殊技艺，一幅书画，即使支离破碎，折皱残缺，一经装裱，可起死回生，竟成完璧。因此苏裱有“书画郎中”的赞誉。解放后，苏裱在保护古代文物，发展书画艺术，促进文化交流，扩大工艺美术出口方面，都作出了贡献。
说明：补充资料仅用于学习参考，请勿用于其它任何用途。
参考词条