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1)  picture esthetic sense
画面美感
1.
To the composition,the exposure,the white balance profound understanding,has built a thorough un- derstanding photograph theory platform for us,becomes the enhancement photograph level to construct one of television picture esthetic sense effective ways.
对构图、曝光、白平衡深刻理解,才能深入了解摄像理论、提高摄像水平、构筑电视画面美感
2)  beauty of pictures
画面美
3)  sense of tableau
画面感
1.
This narration Yuefu poem of North China,which reflects the background of war,presents a sense of music and a sense of tableau,and is symphonic poem of sound and picture.
这首北方的叙事乐府诗,以转换铺排的句式,或以人物的心理图景折射时代的战乱,或以心理活动凸现人物的性格特征,或以重叠、复沓、反复、对比等表现手法,呈现出一种音乐感,画面感。
4)  beautiful painting
美画
1.
Talents cultivation project should follow this way - from aesthetics to beautified person, then to beautiful painting, which combine quality education with capability education.
在论述“美学教学与心灵美”、“美学教学与技法美”与“美学教学与创造美”之间的密切关系时 ,人才培养工程应表现为 :美学——美人——美画。
5)  picture [英]['pɪktʃə(r)]  [美]['pɪktʃɚ]
画面
1.
The system design consists of each monitoring picture and thedesign of communication of the up stream equipment and PLC.
系统设计主要包括各监控画面的设计和上位机与PLC之间的通信设计。
2.
The making of touch screen s five control picture s,oper ations and monitor picture,electromagnetic valve actions monitor picture,setting picture,warning information and processing picture,and grinding head pressure a nd day s running curve picture of motor current are given more description.
简要介绍了方坯修磨机的工作原理,重点阐述了触摸屏5个 控制画面的制作,即操作及监视画面、电磁阀动作监视画面、设定画面、报警信息及处理画 面、磨头压力及电机电流日运行曲线画面。
6)  Image [英]['ɪmɪdʒ]  [美]['ɪmɪdʒ]
画面
1.
Documentary is an important genre in cinema and television series, and the commentary in documentary, alongside with its images, plays a significant role in audiovisual communication.
纪录片是电影和电视片中的重要片种,除了纪录片的画面外,纪录片的解说词在影视传播中也起着不可取代的重要作用。
2.
Visual effects due to differences in the screen to a large extent determines the quality level of the game,the game of how to improve the visual image of the study also inevitable.
基于数字图形的像素画从出现到现在已经完成了从实用性到艺术性的转变,并且成为目前表现二维手机游戏画面的最佳选择。
补充资料:《电影的画面与声音》
      中国电影理论著作。陈西禾著。中国电影出版社1982年出版。全书分"人是中心"、"景物的价值"、"让光影和构图说话"、"富有表现力的色彩"、"创造性地运用声音" 5部分,以大量中外影片的实例,阐述了电影中人、景、光影、构图色彩的表现以及声音的运用等电影语言各种元素的特性和功能,分析了它们的相互关系,探讨了如何运用这些元素的艺术技巧问题。
  

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