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1)  imagist poetry
意象诗
1.
Revealing the Secret behind the Signifier——a semiotic approach to interpreting imagist poetry;
探寻能指背后秘密——意象诗的符号学解读
2.
It also had something in common with 20-century imagist poetry’s objective homologue.
庞德的意象诗,继承了19世纪象征主义的“感应论”,寻求与万物生命的对话;同时与20世纪象征诗人的“客观对应物”也有共同之处,都努力使生命的本真呈现出来。
2)  Poetic Imagery
诗歌意象
1.
On Cultural Implication of Akuwuwu s Poetic Imagery;
论阿库乌雾诗歌意象的文化意蕴
2.
This paper makes a rudimentary analysis on the natures of poetic imagery,that is,symbol quality,ambiguity and visuality.
文章从辨析表象、意象概念入手 ,对诗歌意象的符号性、多义性和视觉性特征作了探讨。
3.
There are three angels of view from which we can probe into the generation of poetic imagery and the special psychological quality of appreciation.
沿着三个视角探究诗歌意象生成及接受心理特质:即由主观情绪体验孕育情感表象进而形成内视意象;由客观物象折射抽象之意而形成外视意象;由主客体贯通、主体客观化、客体情意化而形成内外意象交融。
3)  poetic image
诗歌意象
1.
An Analysis of Characteristics of Fissility of Haizi s Poetic Images;
海子诗歌意象的分裂性特征探析
2.
In view of this, the thesis starts with poetic image, combined with culture, and analyzes thoroughly the cultural image in CCP.
有鉴于此,本文试图从诗歌意象入手,结合文化,深入地研究中国古诗词文化意象;本文认为对古诗词中文化意象的研究应该引起重视;试图给古诗词文化意象下一个比较完整而全面的定义;试图对其进行分类;古诗词文化意象应该与诗歌意象相区别;在文化意象翻译策略研究方面应该跳出长久以来的归化与异化之争,从而找到更适合古诗词文化意象的翻译策略。
4)  poetic imagination
诗意想象
1.
The poetic imagination tendered by Gaston Bachelard overcomes the duality of traditional imagination and describes imagination as a perpetual interaction between human subject to imagine and the object to be imagined.
巴什拉提出诗意想象论不仅克服了传统想象论的二元对立的不足,而且也纠正了现象学主观性的毛病,认为想象是想象的主体和想象的客体之间的不断的相互作用。
2.
The description of customs is distinguished from social criticizm and initiation, and inclines to poetic imagination.
他们的风俗叙事不从属于社会批判与启蒙,而倾心于诗意想象,构成诸如回忆之味、新奇之趣、生命之悟、超越之境一类美感形态。
5)  poetic images
诗歌意象
6)  poetry images
诗歌意象
1.
A Cultural Analysis of Poetry Images between the Wei & Jin and the South Dynasties;
魏晋南朝诗歌意象的文化透视
2.
The poetry images in the poems by Li Bai and Li He show different aesthetic characteristics because of their different times, family backgrounds, personalities and life experiences.
因时代、出身、个性、遭际等的不同 ,李白和李贺的诗歌意象呈现出不同的审美特征。
补充资料:燕堂独坐意象殊愦愦起登子城作此诗
【诗文】:
睡魔困衰翁,白日坐兀兀;忽然振衣起,目了尚如鹘。
凭高望中原,佳气未消歇,逆贼稽大刑,痛愤深至骨。
新霜下昌陵,草有胡马齕,羽林百万士,何日闻北伐?贱臣官有守,不敢叫行阙。
梦中涉黄河,太行高硉矹。
天河未洗兵,封豕食上国,坐令河洛间,百郡暗荆棘。
夷吾非王佐,尚足救左衽。
中原消息断,吾辈何安寝?世俗苦龌龊,谁与共此功;安知无奇士,悲歌燕市中!


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