1) Cultural Conciliation
文化调和论
1.
Sino-Western Cultural Conciliationism: Their Interaction During May 4th Movement;
五四时期中西文化调和论的互动——兼论五四时期中国文化调和论兴起的外在刺激因素
3) reconciliation
[英][ˌrekənsɪli'eɪʃn] [美]['rɛkən'sɪlɪ'eʃən]
调和
1.
This article describes each sector within design process such as the unload and saving of raw materials,the reconciliation of ethanol and gasoline,and the sale of finished product.
介绍了乙醇汽油的原料接卸、存储,油品调和以及成品销售等工艺设计过程中的各个环节,着重介绍了乙醇汽油调和工艺,指出了乙醇汽油调和应首先采用管道比例调和,并对管道比例调和的几种工艺做了分析比较,最后提出了乙醇汽油生产过程中存在的问题及解决措施。
2.
In a word,the value of reconciliation should be admitted and put to a proper use.
长期以来,调和是被纳入反对之列的,其原因就在于把它视为调和主义。
3.
This complex reconciliation may be a way out to the confrontation of the two character concepts in modern narrative theory.
性格逻辑对文本的驱动不过是一种表象,其力量正来自话语强制力的馈赠,这种复杂的理论调和对于解决现代叙事学中两种人物观的对立或许是一种出路。
4) Blending
[英]['blendiŋ] [美]['blɛndɪŋ]
调和
1.
Application of Grey Correlation Analysis to Asphalt Blending;
灰色关联分析法在沥青调和中的应用
2.
His distinctive qualities pursued in his drawing was the form of composition of a picture like deploying battle array on squareshaped drawing embodies the spirit of his breaking down tradition and seeking new style and originality,and represents Chinese characteristics of blending Oriental culture with Western,his state of mind and demand for art as well.
方纸布阵体现了他突破传统、求新求变的精神;反映了调和东西文化的中国特色以及他的心态和艺术需求。
3.
Inceased the blending proportions of DMC,the octane number was not changed.
通过将不同比例的DMC添加到汽油中进行调和,形成DMC配方的新产品。
5) harmony
[英]['hɑ:məni] [美]['hɑrmənɪ]
调和
1.
In 1910s and 1920s,Zhang Shizhao put forward his historical viewpoint of harmony.
20世纪一二十年代,章士钊提出了调和史观。
2.
The harmony of colors can be studied in terms of visual physiology of human being,aesthetic emotions,purpose,and the three elements of colors and areas.
色彩的调和要从人的视觉生理、审美心理、目的性、色彩三要素和面积这四方面加以研究。
3.
This article researches the colour of the Tibet Thangka s colour from three aspects: the rule of haronizing colours, the harmony of colours and the source of harmonizing colours.
本文从色彩学的角度对藏传唐卡色彩进行理论归结 ,主要从藏传唐卡色彩的配色原则、色彩的调和和配色源泉三个方面进行色彩的分析总
6) harmonic
[英][hɑ:'mɔnɪk] [美][hɑr'mɑnɪk]
调和
1.
On certain classes of univalent harmonic functions;
关于某些单叶调和函数(英文)
2.
The sufficient and necessary conditions of existence of the univalent harmonic orientationpreserving mappings f(z) are given,and f(z) satisfies the equation f =a(z)f z for given Beltrami coefficient a(z)= e iθ (z-a 11- a 1 z)(z-a 21- a 2 z) and maps unit disk U onto a given polygon P .
给出ａ（ｚ）＝ ｅｉθ（ ｚ－ ａ１１－ ａ１ｚ）（ ｚ－ ａ２１－ ａ２ｚ）存在将单位圆盘单叶调和保向地映射为已知的多边形并满足给定的Ｂｅｌｔｒａｍ ｉ方程ｆｚ＝ ａ（ｚ）ｆｚ 的映射的充分必要条件。
3.
It is given that the sufficient and necessary conditions of existence of the univalent harmonic orientationpreserving mapping f(z) which satisfies the equation f =a(z)f z for given Beltrami coefficient a(z)= e iθ ((z-α)/(1-z)) m,m=1,2 and maps unit disk U onto a given polygon P .
我们给出当ａ（ｚ）＝ｅｉθ（（ｚ－α）／（１－αｚ））ｍ，ｍ＝１，２时存在将单位圆盘单叶调和保向地映射为已知的多边形并且满足给定的Ｂｅｌｔｒａｍｉ方程ｆｚ＝ａ（ｚ）ｆｚ的映射的充分必要条件。
补充资料：文化传播论
考古学和民族学关于文化起源的一种理论。这种理论认为文化的类似是由于传播的结果，它的基本立场是，把每种文化因素以及文化的复合体，都以传播论为中心来予以解释，同独立发生说相对立。从19世纪末到20世纪初，这种理论非常流行。英国考古学家G.E.史密斯和W.J.佩里等人，曾主张巨石文化由埃及传播到全世界等说法，目前已很少得到人们的承认。民族学上的文化圈，也属于文化传播论的一种。象上述极端的文化传播论，应该予以反对，但是在一定地区内形成的高度发展的古代文化，确曾通过文化交流，对邻近地区产生影响，因此也应该承认传播在文化发展中是起着一定的作用的。
说明：补充资料仅用于学习参考，请勿用于其它任何用途。
参考词条