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1)  aesthetical thinking of calligraphy
书学美学思想
2)  thought of calligraphic aesthetics
书法美学思想
1.
Su Shi s thought of calligraphic aesthetics is mainly shown in the emphasis of “Yi”, which means “Shengyi”, or, to put it simply, “nature”.
苏轼的书法美学思想集中体现在其尚“意”的观念上 ,而“意”的实质即“生意” ,即“自然”。
3)  Calligraphy ideology
书学思想
1.
By researching history materials, art works of Sushi, and primary discussing the reason of forming Sushi calligraphy ideology, the paper focuses on the contribution which Sushi has made to the aesthetic ideology of esteeming Dan through the follow three ways: the characteristics of esteem Dan, way of making it into reality and the aesthetic standard of esteeming Dan.
本文阐述了苏轼以前我国尚淡美学思想发展的概况,通过对苏轼生平史料,文艺作品的广泛查阅和精心研读,对苏轼尚淡书学思想形成因素进行了初步探讨,从尚淡的书法审美特征、实现的途径以及尚淡的审美标准三个方面论述了苏轼对尚淡书法审美的贡献。
4)  Calligraphic Thought
书学思想
1.
The detailed study of his background, calligraphic thought, calligraphy experience and style can give a holistic and objective comment on his calligraphic artistic achievements, its contribution in history, and an proper positioning.
当我们仔细从赵孟頫所处的时代背景、书学思想、书学历程及风格等方面去考察,对赵孟頫书法的艺术成就及其在历史上的贡献就可得到一个客观公正全面的评说和准确的定位。
5)  aesthetic thought
美学思想
1.
The aesthetic thought of Tang dynasty influence on the architectural style of Tang dynasty;
唐朝的美学思想对唐朝建筑风格的影响
2.
Xu Wei s Aesthetic Thought of Conciseness: A Single-angle View;
观其一节:徐渭尚简尚短的美学思想
3.
Taking Summa Theologica as its major original source,the article analyzes firstly Aquinas theological standpoint and his philosophical foundation,and then mainly makes a comprehensive discussion on Aquinas aesthetic thought in three respects of the ontology,formalism and experimentalism of beauty.
阿奎那的美学思想是其神学思想的一部分,主要散见于《神学大全》中。
6)  aesthetics [英][i:s'θetiks]  [美][ɛs'θɛtɪks]
美学思想
1.
Aesthetics Reflected in Wagner s Operas;
小议瓦格纳歌剧的美学思想
2.
On Li Zi s aesthetics viewed from his theory of children s mind;
从“童心说”看李贽的美学思想
3.
Research of Aesthetics in Huang Tingjian s Painting Poems;
黄庭坚题画诗中的美学思想研究
补充资料:《当代西方电影的美学思想》
      中国电影理论专著。李幼蒸著。中国社会科学出版社1986年出版。全书分《绪论》、《电影语言》、《电影表现与现实》、《电影"作者"、作品与观众的结构分析》、《反传统电影潮流》和《先锋派电影的实践与理论》 6章21节;介绍了当代西方电影美学研究的重要发展和面临的基本问题;论述了60~70年代西方主要电影美学理论,特别是结构主义和符号学电影理论的基本概念和观点,还涉及电影中的科学研究、哲理表达等问题。
  

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