1) Nanyang stone engravings in the HAN Dynasty
汉像画石
3) Han dynasty stone relief
汉画像石
1.
According to the archaeological findings,there is a large number of the Han dynasty stone relief ,and the contents of images are very manifold.
西王母这一题材不仅为汉画像石的艺术成就增辉添色,也为我们后人理解研究汉代社会思想以及文化等方面提供了宝贵的资料和线索。
4) Han period pictorial stone coffins
汉画像石棺
1.
Although Han period pictorial stone coffins have their special local features, they share the common religious belief with other Han stone carvings in their main contents.
汉画像石棺有着很强的地域性,但在宗教思想的主要内容上与汉画像石是一致的。
5) Han stone relief
汉代画像石
1.
With features of fullness and denseness,conciseness and completeness,multiple unification and stylization,the image layout of Han stone relief is characterized by planar-scattered composition mode,layered composition mode,scatter perspective and spatial perspective techniques,which reflect creative ideas,compositional principles and approaches from folk fine arts.
在当代,对汉代画像石图像的构图方式的研究,不同学者有着"平面散点布局的方式""分层方式""散点透视法"和"焦点透视法"等阐释。
6) tomb of stone relief
汉画像石墓
1.
Based on the tomb shape,the types of funerary objects,the contents of stone relief and carving techniques,The article analyses the tomb of stone relief at Yangguansi in Nanyang with others in the region and determines the era of the tomb at Yangguansi should be advanced to the mid-late stage of Western Han dynasty.
本文依据南阳杨官寺汉画像石墓的形制、随葬器物的类型、石刻画像利用率的高低以及画像内容题材及雕刻技法等几个方面,与本地区其他画像石墓与画像石纪年墓进行比较分析,判定杨官寺画像石墓的年代应提早至西汉中期偏晚阶段。
补充资料：画石
【画石】
（譬喻）常在者譬之画（入声）于石也。涅槃经十五曰：“譬如画石其文常存，画水速灭，势不久住。嗔如画石，诸善根本，如彼画水。”
（譬喻）常在者譬之画（入声）于石也。涅槃经十五曰：“譬如画石其文常存，画水速灭，势不久住。嗔如画石，诸善根本，如彼画水。”
说明：补充资料仅用于学习参考，请勿用于其它任何用途。
参考词条