1) Miao Language in Xiangxi
湘西苗文
2) Miao nationality in Western Hunan
湘西苗族
1.
Through using the method of literature consultation,visiting,investigation and logical analysis,this thesis searches from the characteristic of the"Hundred lions games"of Miao nationality in western Hunan and analyzes the social value of the"Hundred lions games"in the new times.
运用文献资料、访问调查与逻辑分析等方法,从湘西苗族"百狮会"的特性探析新时期"百狮会"的社会价值,从而为全民健身计划在民族贫困地区全民健身计划的全面实施、民族地区社会主义和谐社会的构建以及民族地区体育旅游资源的开发都提供理论指导。
4) the areas inhabited by Miao people of Xiangxi
湘西苗疆
1.
After suppressing the rebellion launched by Miao people from 1795 to 1797,the Qing Dynasty made readjustments to ruling the areas inhabited by Miao people of Xiangxi and implemented the national policy,namely the System of"Miao Ruling over Miao".
清中后期乾嘉苗民起义之后,清朝统治者重新调整了治理湘西苗疆的策略,采取了"以苗治苗"的民族政策,在湘西苗疆实施了"苗官制"。
5) Miao songs in Xiangxi
湘西苗歌
1.
Having changed in the formula of lyricism,form of performance,content of performance which are quite different from the tradtional genres,Miao songs in Xiangxi have taken on the features of stage performacne and mass aesthetic culture and acquired the cultural significance of square entertainment.
原本存显于苗族传统生活空间中的湘西苗歌,受制于社会、文化、资本和传媒等多重文化逻辑力量的影响,一改其传统的文化功能意义,去除其本身浓厚的文化习俗色彩,从而置身于象征现代文化力量的都市广场中,于广场空间中进行展演的湘西苗歌,在抒情格式、演述程式、演述内容等方面都发生了异于传统样式的改变,呈现出舞台化表演特征和大众审美文化特征,湘西苗歌因此获得了广场娱乐的文化意义,同时,湘西苗歌也因此重塑一种新的主体意识,实现了一种文化和审美的统一,也在传统和现代的时空压缩式的置换中实现一种现代性幻想。
补充资料：苗文
见苗语。
说明：补充资料仅用于学习参考，请勿用于其它任何用途。
参考词条