1) ZHANG Geng
张庚
1.
ZHANG Geng s Dedication and Interest of the Subject of Cultural Relics of Traditional Operas;
张庚先生对戏曲文物学建设的贡献
2) Zhang Geng s Drama Thought Study
张庚戏剧思想研究
3) heptyl heptylate
庚酸庚酯
4) heptaldehyde
[,hep'tældihaid]
庚醛
1.
Preparation of catalyst for low pressure hydrogenation of heptaldehyde;
庚醛低压催化加氢催化剂的制备
2.
α-Hydroxyl octanoic acid(1) was synthesized from heptaldehyde by a four-step reaction of nucleophilic substitution,displacement reaction,acid hydrolysis and deaminization.
以正庚醛为原料,经过亲核取代、置换反应、酸水解及碱化脱氨等4步反应合成了制备3,6-二己基-1,4-二氧杂-2,5-二酮(辛交酯)的中间体——α-羟基辛酸(1);1经对甲苯磺酸催化脱水得辛交酯。
3.
Aim\ Enanthal diethyl acetal is prepared with heptaldehyde and triethyl orthoformate as raw materials.
目的 研究以庚醛和原甲酸三乙酯为原料制备庚醛二乙缩醛的工艺条件 。
5) heptane
[英]['heptein] [美]['hɛpten]
庚烷
1.
Research of n-heptane hydroisomerization over MCM-48 molecular sieve catalysts
MCM-48分子筛催化剂上正庚烷的临氢异构化
2.
The cata lytic performance of Pd/WO3-ZrO2 for hydroisomerization of n-heptane w as investigated under the reaction cond.
采用共沉淀方法制备了固体酸载体WO3-ZrO2,考察了W含量和焙烧温度等对WO3-ZrO2酸性和物相结构的影响,并且考察了Pd/WO3-ZrO2催化剂对正庚烷异构化反应的催化性能。
3.
The photocatalytic reactivity of the samples were tested by the gas-phase photocatalytic oxidation of heptane.
以气态庚烷为反应体系,来比较上述两种催化剂的光催化活性。
6) heptene
['hepti:n]
庚烯
1.
In Situ IR Characterization on Hydroformylation and Hydrogenation for Oxosynthesis of Alcohol from Heptene;
庚烯羰化制醇的原位红外光谱表征
2.
At 60 ℃ and under 2 MPa,the Wacker reaction of 1-heptene oxidized with molecular oxygen to 2-heptanone with PdCl2-CuCl2 as the catalyst was studied in different reaction media,bmimPF6,acidic aqueous solution and solvent-free.
在60℃及2 MPa条件下,以PdCl2-CuCl2为催化剂,分别在无溶剂、酸性水溶液、1-丁基-3-甲基咪唑六氟磷酸盐(bmimPF6)离子液体为溶剂研究了分子氧氧化1-庚烯生成2-庚酮的Wacker反应。
3.
Nano-TiO_2/(SiO_2) was used as catalyst to investigate the influence of different calcined(temperatures) on the photocatalytic activity of the catalyst for the photocatalytic degradation of heptene.
以TiO2/SiO2纳米粒子为催化剂,研究了催化剂不同焙烧温度对二氧化硫与庚烯光催化反应的影响。
补充资料：张庚
| 张庚（1911～ ） 中国戏剧理论家，戏曲史家。原名姚禹玄。湖南长沙人。1934年参加左翼剧联，开始从事戏剧活动。在将近半个世纪的编辑、教学、研究和领导戏剧运动的实践中，撰写了大量有关戏剧艺术和戏剧运动的评论、讲稿、报告、论文和专著。中华人民共和国建立后，他全力投身于戏曲革新工作，认真贯彻“百花齐放，推陈出新”的方针，对编演现代戏、新编历史剧和整理改编传统剧目等进行了深入探讨和有益的实践。他对表演、导演、音乐都有较深的修养。论著有《中国戏曲通史》（与郭汉城共同主编）、《戏曲艺术论》等。 |
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