1) watercolor painting
水彩画艺术
1.
the paper aims at analyzing and concluding the special features of watercolor painting and points out personal ideas on the place of Chinese watercolor art in modern art circle and its prospective in future.
文章诣在分析、总结出当代中国水彩艺术的特质 ,并对中国水彩画艺术在当代架上绘画中的地位和发展提出自己的观点。
2) watercolor
水彩
1.
Inseparable affection of modern Chinese ink painting and watercolor;
当代中国水墨与中国水彩的关系
2.
Concerning the Topic of the Material and the Composition——the Interpretation the Watercolor Art of Farrell·Don;
关于材料与构图的话题——解读唐·法雷尔的水彩艺术
3.
The Plane Reached of the Eastern Culture,The Spirit of Chinese Ink and Wash——Zhang Xiao-gang s making use of traditional Chinese painting in his watercolor;
东方境界,水墨精神——张小纲水彩画创作对中国画的借鉴
3) water color
水彩
1.
On the spread and development of modern water color painting;
浅谈当代水彩画在中国的传播与发展
2.
Water Color Art Expression in Architectural Illustration;
论建筑水彩画的表现艺术
4) watercolor painting
水彩画
1.
In recent years,watercolor painting has advanced in China by leaps and bounds.
通过比较水彩画、水墨画在工具和材料及表现手法上的相似之处得出结论:水彩画是一种适合表现东方自然环境的画种,水彩画作为西方的一种艺术形式很容易为我们所接受,它在我国具有较大的发展空间。
2.
Chinese watercolor painting is the artistic form coming from the west, which was certain to be influenced by and shocked by traditional Chinese culture.
中国水彩画作为从西方传入的艺术形式,来到中国后就必然受到中国传统文化的冲击和影响,这种现象在早期的中国水彩画艺术中表现得尤为突出。
5) watercolor art
水彩艺术
1.
It is possible to infiltrate traditional brush-and-ink into watercolor art, which shall be a breakthrough in watercolor s continuous development, the expansion of watercolor s ontological language, an enrichment of watercolor s painting effect, and which shall help to nationalize the westernized watercolor and endow it with richer Chines.
把传统书画笔墨渗透到水彩艺术中具有一定的可行性,它将成为中国水彩不断发展的一个突破口,拓展水彩艺术的本体语言,丰富水彩艺术画面的效果,还能使西化体系的水彩艺术民族化、更具有中国特色。
6) Watercolour Painting
水彩画
1.
Fashion of Watercolour Painting and the Sustainability of Its Development;
水彩画的时尚及时尚性发展的可持续性
2.
In the perspective of the history of watercolour painting and the development of its artistic language,we can conclude that overemphasis on the artistic language will be an obstacle to the development of watercolour painting.
从水彩画的本体语言以及水彩画发展的历史来看,过多地强调本体语言将成为水彩画发展的桎梏。
参考词条
补充资料：水彩画
| 水彩画 watercolour 以水调和水彩颜料绘成的画。该颜料以胶水调制，透明，分干块状、锡管装两类。画纸质地结实，吸水性适中。笔为狼毫或羊毫所制，分扁、圆两类，型号大小有别。其他工具有调色盒(碟)、画板(夹)、笔洗 、铅笔等。画法有干画法、湿画法、浸接法、点彩法、渲染法等。水彩画借助于水表现透明度和色调浓淡，能体现出轻盈、润泽、明丽、淋漓等独特效果。水彩画约产生于15世纪末的欧洲，18世纪在英国发展成为独立画种。英国水彩画家有J.M.W.泰纳、J.康斯特布尔。水彩画约于19世纪末20世纪初传入中国，颇受中国画家的欢迎，现在已成为最普及的画种之一。 |
说明：补充资料仅用于学习参考，请勿用于其它任何用途。