1) Line cun
线皴
3) wrinkled-texture
皴法
1.
According to the complex effects and the self-similar character of the wrinkled-texture, a Chinese landscape rendering algorithm on the basis of texture synthesis is presented here.
在中国水墨画仿真研究成果的基础上,深入研究山水画的笔墨和造型特点,鉴于其效果的复杂多变性及皴法纹理的自相似特征,提出了以纹理合成为基础的山水画系统仿真绘制算法。
4) Face shape chapped scratches
面皴
5) texturing method
皴法
1.
Abstract: This paper chooses chinese landscape panting as its research object, because texturing method is a form of art language coming from the practice of landscape painters and it gradually becomes a complete system and had its specific values.
本文选择中国山水画皴法作为研究对象，理由在于：皴法是历代山水画家在“外师造化”、“中得心源”的实践中提炼出来的艺术语言形式，并在不断发展中形成了一套完整的体系，从而具有了独特的价值地位。
2.
The texturing method, through which the aesthetic style of Chinese landscape painting is reflected well, is the most primary technique.
皴法是山水画中最主要的技法，山水画审美风格的体现，主要表现在皴法上。
3.
In the process of artists exploring the technique to deeply expressing the nature s outlook and spirit, texturing method was born.
皴法的产生是画家深入表现大自然的形质的探索结果。
6) On Cun and Cunfa
论皴和皴法
补充资料：披麻皴
披麻皴 山水画技法名。笔划直长从上而下，如散麻下披，后人因其形似故名。用中锋笔，圆而无圭角，弯曲如同画兰草，一气到底，线条遒劲，不可排列须有参差松紧，点法如“一”字或“混点”。宜表现江南土石丘陵等。创自五代董源、巨然、赵孟頫、黄公望等不少画家均以披麻为主。明·陈继儒《论皴法》作“麻皮皴”，工艺绘画亦多用。
说明：补充资料仅用于学习参考，请勿用于其它任何用途。
参考词条