1) concrete image
具象点染
1.
This paper focuses on studying the language and culture features of the Chinese idioms in the following fields: the order of sound-breathing,the posture of the concrete images and government by the excellent likeness,revealing the meaning of the Chinese idioms as the model of humanism and explaining the close relationship.
本文运用语言文化理论 ,从语言人文精神角度出发 ,对汉语言中极富汉民族文化特征的成语进行分析 ,主要从声气流动之序、具象点染之态和神摄统贯之型三方面阐述成语的语言文化构型特征 ,揭示了成语作为一种汉语文化模型的意义 ,说明了语言与文化的密切关系。
2) speckiness
染色斑点现象
3) interlocking in dicentric chromosome
具双着丝点染色体互锁
4) Representation
[英][,reprɪzen'teɪʃn] [美]['rɛprɪzɛn'teʃən]
具象
1.
Representation of Logos -A Different Interpretation for Dan Kiley;
理性的具象——对Dan Kiley的他者解读
2.
Reproduction and representation are the two ways of painting.
具象与抽象是绘画的两种表现形式,具象中有抽象的存在,依托抽象提升再现具象的艺术性;抽象中有具象的基础,在再现具象的能力基础上升华出抽象意味。
3.
The outstanding characteristic of his works is that the inner abstract spirit is represented by the realistically representational figures.
安德鲁·怀斯是二十世纪美国极具个性的画家,他的作品突出的特点是以具象写实的形象表现内心的抽象精神。
5) Concretization
[英][kɔn,kri:tai'zeiʃən] [美][kɑn,kritə'zeʃən]
具象
1.
In his work,Hint,the author Han Shaogong puts forward the problem about language security that fre- quently arises when language is used,and points out that in order to guarantee security and validity when people uses language,language and concretization should be made into an intimate combination.
韩少功的近作《暗示》提出语言使用的安全问题,并指出为了确保语言使用的安全性与有效性,必须使语言与具象亲密地结合;语言与具象相互渗透是恢复人自身存在的丰富性与复杂性的有效方式。
6) embodiment
[英][ɪm'bɔdimənt] [美][ɪm'bɑdɪmənt]
具象
1.
In the procee of visualized advertisement originality, the commodity embodiment as well as the distortion and symbol has become a way of advertisement image constitution.
在广告创意视觉化的过程中,商品具象以及在具象基础上的变形、象征都成了广告意象的构成手段,广告意象通过其符号化特征传达无限的广告意义。
2.
The author argues that the central theme of Merleau-Ponty s phylosophy is the primacy of embodiment,and meanwhile points out some areas of its incompleteness.
其哲学的核心命题就是具象的首要性,同时, 文章还指出梅洛庞蒂理论的缺陷。
3.
The article discusses from three aspects: The origin and development of original modeling, The change of embodiment features of modeling art in different historical periods and the thoughts of it.
本文从原始造型艺术的起源与发展;古代各个历史时期造型艺术(雕塑、绘画及工艺美术作品)具象特征的流变及其思考三个部分进行论述。
补充资料:点染
绘画时点缀景物和着色,也比喻修饰文字:一经~,形象更加生动。
说明:补充资料仅用于学习参考,请勿用于其它任何用途。
参考词条