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1)  the northern music
北曲音乐
1.
Judged from the relevant historical data,it is an undisputable fact that this music is the remain of the northern music of Yan and Ming Dynastys.
通过周边历史材料可以看出 ,该谱是元明以来北曲音乐的遗存是不争事实。
2.
Judged from the relevant historical data,it is an undisputable fact that this music is the remain of the northern music of Yuan and Ming Dynasties,during the time when the southern music was flourishing.
该文继前人的研究,对《太古传宗》乐谱中尚较模糊的历史价值与历史境遇问题进行探讨,认为该谱是元明以来北曲音乐的遗存是不争的事实,但由于其处于南音竞艳斗芳的时代,因此,该谱南音化的倾向也不容置疑。
2)  music store
音乐曲库
1.
The project function of windows can be used to solve the MP & Computer′s Automatic power and to erect the relative music store,autoplay, in order to ensure the autoplay of the broadcasting system.
研究利用 Windows的计划任务来解决扩音机和电脑的自动开关及建立相关音乐曲库、自动播放任务 ,以此实现广播系统的自动化播
3)  Songs [英][sɔŋ]  [美][sɔŋ]
音乐歌曲
1.
Music Songs form the Theory of Multiple Intelligence in Integrated English Teaching;
从多元智能理论看音乐歌曲对综合英语教学的影响
4)  Drama music
戏曲音乐
1.
Singing and accompaniment in drama music supplement and complement each other and they make up the main body of drama music.
戏曲音乐中的唱腔与伴奏,彼此相辅相成,相得益彰,既对立又统一地构成了戏曲音乐的主体。
5)  opera music
戏曲音乐
1.
The article intends to use the aria change of opera music as an exploration object, trying to take Huangmei Opera as an example to disclose the rule of aria change and development.
本文以戏曲音乐的腔形变化作为一般性探索对象,并试图以黄梅戏为例揭示戏曲音乐唱腔形态发展变化的规律。
2.
For a long time there have been various opinions on naming (including classifying) the opera music, such as "Banqiangti", "Banshibianhuati" and "Qupaibanqiangti".
长期以来对戏曲音乐体制的命名 (含分类 )众说纷纭 ,如 :“板腔体”、“板式变化体”、“曲牌板腔体”……“曲牌板式变化体”说 ,试图使中国戏曲音乐体制的命名 (含分类 ) ,尽量名实相符 ,且能“一以贯之”。
3.
Opera is an important part of the Chinese traditional culture and is characteristic to chinese people as a Rind of comprehensive stage art,in which,however,opera music is the most important part.
而戏曲音乐是这一综合艺术极为重要的组成部分。
6)  traditional opera music
戏曲音乐
1.
In the Sixteen kingdom and North dynasty,the music of the western regions and all the surrounding nations entered the Central Plains,merging with the Central Plains s traditional music,thus the eighty-four tunes came into being,which laid the foundation for the traditional opera music and had a direct influence on its unique style in the Jin,Yuan dynasties.
古代戏曲音乐的形成,是各民族文化融合的艺术结晶。
2.
At the same time, the modern creative theories which originate from western countries are widely used in music composition which has been made essentially different from traditional opera music in both content and form.
新中国成立以后,戏曲音乐创作吸收了民族、西洋歌剧的创作手法,并大量运用了现代西方作曲理论,使现代戏曲音乐创作无论从内容还是形式上都与传统的戏曲音乐创作有着本质的区别。
补充资料:北曲
北曲

    中国最早的戏曲声腔之一。为金、元时期流行于北方的杂剧与散曲所用的音乐。源于唐宋大曲、诸宫调、宋词、鼓子词、唱赚、转踏以及北方各民族音乐,而影响最为直接和深刻的首推诸宫调,因之形成了戏曲音乐中曲牌联套体的结构体制。这种音乐之所以称为曲,是与宋词相区别。词与曲都是利用词牌与曲牌填词歌唱,但在形式上曲突破了词的定格,不分上、下阕;在句数、字数上也打破了词的限制,可以大量使用衬字,显得生动活泼,故谓“曲者,词之变” 。称为北曲,又是为了与南宋以来流行于南方的南曲相区别 。
    北曲又分为戏曲(或称剧曲)与散曲两种。两者虽同为北曲,但差别很大。戏曲是通过舞台演出欣赏的,散曲则是为了清唱;戏曲是通过曲折的情节,抒发剧中人物的思想感情;而散曲则是作家情感的自我表露;戏曲必须有四组套曲的完整结构,一折戏一个套曲,每个套曲只限一个宫调,以此贯串全套,使得每个乐章前后的调性统一;而散曲则较为灵活,它可以只是一首单乐章的小令,也可以组成多乐章的套曲,即散套。
说明:补充资料仅用于学习参考,请勿用于其它任何用途。
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