1) Gufu Bianti
《古赋辩体》
2) Gu Fu Bian Ti
《古赋辨体》
1.
On "Regarding Feeling as Principle" in Gu Fu Bian Ti;
论《古赋辨体》的“情统观”
2.
On the Reasons for the Appearance of Gu Fu Bian Ti;
论《古赋辨体》出现的原因
3) theory on ancient style Fu
古体赋论
4) on Ontology of Gufu
古赋本体论
5) Gufu
古赋
1.
On the thought and art of Li Bai s Gufu;
论李白古赋的思想性及艺术性
2.
The theme and the artistic form of Qi type literary works had changed very mueh from Mei Cheng′s Qi Fa to the Southern Dynasty writers′ works: one hand, the change of theme was from urging rulers to give up extravagant and wasteful life to wrging people to win honour and to gloss over flourishing age; the other hand, the change of artistic form was from Gufu to Pianfu.
"七"体文从枚乘的《七发》到南朝诸人的作品,主题思想和艺术形式都发生了很大的变化:主题思想从劝说统治者戒除奢侈的生活到劝人在太平盛世建功立业再到南朝时的粉饰太平;艺术形式则经历了一个从古赋到骈赋的变化过程。
6) Ci Fu returnig to the antient
辞赋复古
补充资料：古赋
| 古赋 见赋。 |
说明：补充资料仅用于学习参考，请勿用于其它任何用途。
参考词条