1) carefree pen
逸笔
1.
This thesis is to comb the relationship between "carefree energy of life", "carefree pen" and "carefree style" in NI Zan s paintings, and to have a limited view of the inner meaning connection among various factors of "carefree".
文章梳理倪瓒绘画中"逸气""逸笔""逸格"之间的关系脉络,蠡测其"逸"诸因素之间的内蕴关联。
2) Reading Notes on Yizhoushu(《逸周书》)
读《逸周书》笔记
3) Yi
[ji:]
逸
1.
Why have "Yi" and "Yuan" become the ultimate style of Chinese painting? Xu Fuguan made a Xin Xing Xue study on this problem and accounted that it was the practice of Zhuanzi spirit in painting.
“逸”和“远”作为中国绘画的最高风格是如何可能的?徐复观通过对此问题的心性学考察,认为这是庄学精神逐步在绘画中落实的结果。
2.
in this thesis, we have occupied the most materials from the web and the books and found the clue of the development of the word "Yi" .
本文归纳出逸涉诗、涉艺、涉美的七组主要词义:1。
4) ease
[英][i:z] [美][iz]
逸
1.
On "spirit" and "ease","vigour of style" and "the northern model;
“神”与“逸”、“风骨”与“北宗”论
2.
The trend of thought in social aesthetics had experienced a great change in Tang and Song Dynasty for "ease" as an aesthetic concept became the aesthetic ideal in literati and officialdom s mind.
唐宋之际 ,社会审美思潮发生了很大变化 ,“逸”作为审美范畴在士大夫的观念中成为一种审美理想。
3.
But at ease the category show systematic going on and it studies t.
“逸”是一个具有鲜明民族特色的美学范畴，它集中体现了中国古代文人士大夫的审美趣味和审美理想，成为文人士大夫在得意和失意的重要精神寄托。
6) prose
[英][prəʊz] [美][proz]
笔
1.
Rhythm was used to writing verse and prose according WenJingMiFuLun.
唐前声律以"四声"论而不以"平仄"论,据《文镜秘府论》载,"文"、"笔"皆运用声律,具体规则有:一句中两分句句末声律相间,上句与下句相对,第一句末不得与第三句末同声,第二句末与第三句末止可同声不应同韵,第二句末不得与第四句末同声,骈文上四句与下四句的声律调谐。
2.
The distinction between verse and prose was an idiosyncratic phenomenon in the literatures of the Six Dynasties.
文笔之分是六朝文学中的一个特殊现象,本源于两汉时的文学文章之分。
补充资料：逸笔
1.放纵自如的笔致。
说明：补充资料仅用于学习参考，请勿用于其它任何用途。
参考词条