1)  "reason"
"理"
1.
Zhang Dainian attaches importance to the study of "reason" discussed and explored deeply both in his former and latter papers.
"理"作为中国哲学史上的基本概念,产生于先秦时期,经汉魏晋南北朝和隋唐的演变和发展,形成了宋元明清时期的理学思想。
2)  Truth
1.
Truth Interestingly Related: A Topic Incompletely Discussed;
一个未竟的话题——理趣
2.
Abundant feeling,abstruse truth and various technique of the classical poem,longs and shorts and prose band together and apply to the teaching.
现行的《大学语文》大纲及教材的教学要求对古典诗、词、文都偏重于字、词、句的理解,游离了《大学语文》的教学目的。
3)  Li
1.
The Development of "Li" at Pre-Qin and the Confluence & Transformation of Confucianism,Toaism and Legalism;
先秦之“理”的演变与儒道法的转换与合流
2.
Can "Li" Be Active?;
“理”能否活动?——李退溪对朱子理气论的诠释
3.
Legal Idea of Zhu Xi on the Basis of "Li;
试论朱熹以“理”为基石的法制思想
4)  reason
1.
Law, reason, emotion-presentation of people s court office building design of Gu Tian county;
法.理.情——兼谈古田县人民法院审判办公综合楼设计
2.
“Too very,Reason too” Communication ZHUXI Easy to Learn with Manage to Learn;
“太极,理也”沟通朱熹易学和理学
3.
In addition, this paper analyses the social reasons of this change and puts forward the necessity of education and.
“情理”观是价值观和社会行为研究的重要内容之一。
5)  principle
1.
LEFT BIOGRAPHY is good at describing the language of the dip lomats, t heir words are scrupulously abide by courtesy and quick-witted , either they tol d adversary of principle ,or moved him of emotions , or attacked by innuendo, or spoke with force of justice , so many means were put to use ,and many styles we re appeared , it is difficult to cite completely .
:《左传》善于描写各个诸侯国外交官的辞令 ,他们的外交语言恪守礼仪而又机智灵活 ,或晓之以理 ,或动之以情 ,或旁敲侧击 ,或义正辞严 ,运用多种方法 ,呈现出不同的风格 ,不胜枚举。
2.
"Deeds according to the principle"is the basic life perspective of Chinese traditional philosophy.
传统绘画美学思想对于艺术学习者的艺术思维的形成与发展有着非常重要的作用,而传统绘画美学思想与传统哲学思想有着重要的渊源关系;"依理而行道"是中国传统哲学中提出的重要人生观点,受其影响,在绘画中求"理"成为最重要的中国传统绘画思想观;把"理"对应到绘画艺术的具体法则中,可以发现,我们在具体操作上是寻求一种包含多种相对的视觉力量元素相互间形成的、由视觉趋向心理的圆满的秩序关系;在艺术的终极目标和具体法则的指引下来对艺术创作进行进一步思考就会发现四个认识原则:自然物象向艺术形象的转化、艺术形象对自然物象的超越、艺术创作中的理性与感性、艺术作品形式的多样性。
3.
Sung Confucians had their own appeal for theorization and introversion in their way of study,but their care for the society obliged them to turn from propriety to principle,hence the Tang-Sung intellectual transition had a distinctive feature of continuity concealed in its interruptiveness on the problem of propriety and principle.
宋儒论学行道虽有理论化与内倾化的诉求,但他们对世俗社会的关怀迫使他们必须由理转向礼,因此唐宋思想转型体现在礼与理问题上的间断性中隐含着明显的连续性。
6)  Li
“理”
1.
A Preparatory Exploration for Constructional Path of Harmonious Society in the Traditional China——Taking Qing,Li and Law as An Example;
中国传统社会构建和谐社会之路径初探——以“情”、“理”、“法”为切入点
参考词条
补充资料:


    中国古代哲学,特别是宋明哲学的重要范畴。在唯物主义哲学中一般指事物的发展的规律、条理;在唯心主义哲学中,主要指抽象观念、精神实体。“理”作为哲学概念出现于战国时期。《管子·四时篇》以阴阳为“天地之大理”。孟子以人心所具有的道德为理。韩非提出理是事物的具体规律。《吕氏春秋》把理视作判断是非的根据。魏晋兴“辨名析理”之风。王弼认为理是事物的规律;郭象则认为理是必然性,即自然之理。唐代佛教华严宗提出理、事范畴,认为理是本体世界。北宋以后,理成为程朱理学的最高哲学范畴。张载强调理的客观性,认为“万物皆有理”,把理看成气化运动的规律,主张穷理。程颢、程颐首次把理作为最高本体,建立理本论哲学 。他们认为理是“形而上者”,是事物之“所以然者”,是永恒不变的宇宙本体,万事万物都是从理派生出来的。朱熹认为理是天地万物的主宰,是万事万物的运动变化的推动者,而太极则是众理的总名,是真理和道德的标准。陆九渊提出“心即理”的命题,王守仁也强调“心外无理”。明罗钦顺认为理是气所固有的客观规律。王廷相也认为理是气之理。明清之际的王夫之提出“理者气之理”的学说,认为理是“物之固然,事之所以然也”。他所说的理,一指自然规律;二指道德准则。
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