1) "New Styles"
“新文体”
1.
On the Complex Similitude and the Ad Hoc Similitude in Liang Qichao’s “New Styles”;
论梁启超“新文体”的复式比喻及专喻修辞法
2) new literary form
新文体
1.
Liang Qi-chao s theory on new literary form came from the cultural context “All things are changing.
梁启超的新文体理论是近代“变亦变,不变亦变”文化语境的产物。
3) Liang Qichao抯 stylistic reform in literary conception
梁启超新文体意识
1.
In the period of Japanese Meiji Restoration, a number of literary giants greatly promoted and catelysed Liang Qichao抯 stylistic reform in literary conception.
日本明治维新时期的一批文坛巨匠对梁启超新文体意识的形成有催化、助长之功,而且经过梁氏之文影响了当时和以后的中国文坛。
4) originality
新
1.
Only prose with originality, reflecting both life and spirit, can meet people s needs of appreciation and artistic psychology and keep the pace with the development of the time and literature.
散文作家只有创造出既反映生活又体现性灵的"新"来,才符合人们正常的欣赏习惯和艺术心理的客观要求,才符合时代的演进和文学发展的需要。
2.
By marking a general survey of the development of callisthenics in recent years, The author pointed out that the developing trend of callisthenics will be in the future: the unity of strength; originality and beauty;the proper coordination and election on music; long-term and scientific straining.
纵观近年来健美操的发展情况,指出健美操发展的趋势将是:力、新、美的结合;音乐的合理选配;训练的长期性和科学性。
5) creativity
“新”
1.
This paper made a contrast on their living background, living experience and their works, and mainly focuses on their written style, that is, the factuality, creativity, and artistry.
就“二李”的生活背景、生平经历、作品创作加以比较 ,重点阐述了其词作风格的真实性、创造性、艺术性 ,即“真”、“新”、“美
6) new
新
1.
In Korean,"new"has many kinds of correspondence forms, which have clear formation features.
“新”在韩国语中有多种对应形式,这些形式具有明显的形态特征。
2.
It is our solitarygoal to take a new road to industrialization, which was presented in the 16th Party Congress.
走新型工业化道路是党的十六大向全国人民提出的新的战斗任务。
参考词条
补充资料：新文体
新文体
新文体。指近代梁启超所创散文新体。梁氏《清代学术概论》自言所作文“学者竟效之，号‘新文体’”。其特点在于“纵笔所至不检束”，笔锋常带感情，热情洋溢，奔放豪纵，充满浪漫主义精神，极富鼓动性，善用正反对比，多方阐发，淋漓酣畅，论证有力，说服力极强，条理明晰，句法参差多变，常用排句及偶句，“务为平易畅达，时杂以俚语，韵语”，半文半白，明白易懂。代表作品有《少年中国说》，《变法通议》。上承王韬，冯桂芬以来进步散文传统，服务于改良运动，一时风靡全国，效仿者众，开五四白话文运动先河。
说明：补充资料仅用于学习参考，请勿用于其它任何用途。