1) Mianyang dialect
沔阳话
1.
The description of the passives of Mianyang dialect is based on the comparison with that of modern Chinese.
与现代汉语中的被动句相比,沔阳话中以“等/紧”构成的被动句只有完全式被动句,以及含被动意义的“遭、挨、乞、逗”谓词,没有复合形式,其所带的宾语也各有限制。
2) Passive Sentences in Mianyang Dialect
沔阳话中的被动句
3) Mianyang area
沔阳地区
1.
Middle Yangzi marine facies strata in Mianyang area of southern Jianghan plain are favorable prospects of oil & gas accumulation.
由于江汉平原南部沔阳地区的构造复杂,使得地震资料品质差,圈闭落实不好,进而导致该区中扬子海相地层油气勘探多年来未能取得实质性进展。
4) Mianyang Depression
沔阳凹陷
1.
Evaluations of Geologic Logging for the Hydrocarbon-bearing System in Mianyang Depression;
沔阳凹陷含油气系统录井评价
2.
About Some Geologic Features of Hydrocarbon Reservoirs and New Progression of Oil and Gas Exploration in Mianyang Depression;
沔阳凹陷油气藏地质特征与油气勘探新进展
3.
Study on Hydrocarbon Distribution Laws Principles of Lower Member of Xingouzui Formation in Mianyang Depression;
沔阳凹陷新沟嘴组下段油气分布规律研究
5) Cui Mian
崔沔
1.
The epitaph was written by famous litterateur Cui Mian when he was 52 years old,and it was written in epitaph by Wei Zhe.
墓志为著名文学家崔沔 5 2岁挥就之佳作 ,由魏哲书丹上石 ,为大家书艺首次之披露 ,墓志之人物、文章、书法包含了鲜为人知的盛唐文化信息。
6) Guo Mian
郭沔
1.
The formation of Zhejiang School in the southern Song Dynasty lies in two aspects:first,Guo Mian succeeded the Zhejiang techniques,second,some ancient music notes were collected and edited mainly by Han Tuozhou and Zhangyan.
南宋"浙派"的产生在于郭沔一方面继承了两浙的琴艺,另一方面整理了以韩胄、张岩为主的华夏传统古谱,融会贯通,创立了以传统琴谱、传统演奏为主的"浙派",在琴史上产生了深远的影响。
补充资料：郭沔
| 郭沔（约1196～1260） 中国宋代琴家。字楚望。永嘉（今浙江温州）人。终生未仕，曾为光禄大夫张岩的门客，其间整理过抗金名将韩胄的祖传古谱。郭沔的门人刘志方曾传其琴艺于毛逊（字敏仲）、徐宇（字天民）等，形成一个独具风格的七弦琴流派，后人称浙派。郭沔创作的琴曲有《潇湘水云》、《步月》、《秋雨》、《春雨》、《飞鸣吟》、《泛沧浪》等多首。其中《潇湘水云》一曲最有名，流传甚广。此曲最早版本见于明代朱权所编《神奇秘谱》，原曲10段均列小标题。后人将其发展至18段，传载琴谱达50余种。 |
说明：补充资料仅用于学习参考，请勿用于其它任何用途。
参考词条