1) the meaning is in the front of the image
意在象先
1.
However, it has profound thought, which is "the meaning is in the front of the image".
言意之辩在《周易略例·明象》中被提出,研究者往往注意此文的第一段,对第二段则很少注意,第二段其实也有很深刻的思想,即意在象先的命题。
2) theme then writing
意在笔先
1.
The article discusses the meaning and contact of "theme then writing"?"writing then theme"and"theme first", the aim is that put the theory into practice.
对“意在笔先”、“意随笔生”与“主题先行”三个命题的含义及联系进行了探讨 ,从而全面地认识写作实践中主题的确立。
3) imagery training take precedence
表象在先
4) The talk also"works out the plot before putting pen to papers"
也谈"意在笔先"
5) Imago is the Being in the Form of Field
意象的场式存在
6) dialogue and the pioneer immagnation
读者意识与先锋想象
补充资料：答邹象先
【诗文】：
桂枝常共擢，茅茨冀同荐。一命何阻修，载驰各川县。
壮图悲岁月，明代耻贫贱。回首无津梁，只令二毛变。
【注释】：
【出处】：
全唐诗：卷154_11
桂枝常共擢，茅茨冀同荐。一命何阻修，载驰各川县。
壮图悲岁月，明代耻贫贱。回首无津梁，只令二毛变。
【注释】：
【出处】：
全唐诗：卷154_11
说明：补充资料仅用于学习参考，请勿用于其它任何用途。
参考词条