1) Wusong Fighting in the Inn
《武松打店》
3) acrobatic fighting
武打
1.
This article discusses hero with receptive views and thinks hero is an expressive and lyric film which breaks shackles of traditional films and casts off linear and descviptive models, The expressive ness lies in the three respects cpicture, acrobatic fighting, color, hence causing a misty perceptual and expressive world of art.
这种写意性分别表现在影片的面画、武打和色彩这三个方面,从而营造了一个朦胧、感性、写意的艺术世界。
4) Wu Song
武松
1.
Comparison of Wu Song with Santiago from the Text s Arrangements;
武松与桑地亚哥的文本层次比较
2.
The Recreation of the Image of Wu Song in the Novel of Jinpingmei;
《金瓶梅》对武松形象的再创造
6) armed cassettes target
武装打靶
补充资料:武松
小说《水浒传》中人物。排行第二,人称武二郎。勇猛刚烈,曾于景阳冈赤手空拳打死猛虎。后手刃潘金莲,斗杀西门庆,醉打蒋门神,杀死张都监。为逃避缉捕,改行者打扮,绰号行者。后投奔梁山农民起义军,反对接受朝廷招安。是人民群众喜爱的英雄形象。
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