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1)  the Merchant-Peasant Relations
农商
1.
A Review on the Changes of the Merchant-Peasant Relations from the mid-Tang Dynasty to the mid-Ming Dynasty;
中唐至明中叶诗歌中农商观念的转变及其意义
2)  rural commerce
农村商业
1.
Based on the perspective of project social assessment theory,the article studied the project social assessment in China’s rural commerce construction.
文章基于项目社会评价理论的视角,研究了新农村建设中我国农村商业发展项目的社会评价问题。
2.
Currently, a number of issues have become new focuses of study, such as: the theoretical foundation of trade economics, the trading strategy of retail business, the urban commerce planning, the rural commerce development, modern logistics and modern circulation form, and etc.
目前,贸易经济的理论基础、零售商业贸易对策、城市商业规划、农村商业发展、现代物流以及现代流通方式等问题,将成为研究的新热点。
3)  RCCA
商资归农
1.
On the RCCA in the Course of Modern Co-operation Movement——Concentrated on the Rural of North China during 1930s;
论近代合作运动进程中的“商资归农”——以20世纪30年代华北农村为中心
4)  Biz-farmer economy
农商经济
5)  agro-business relationship
农商关系
6)  combination of agriculture and commerce
农商结合
1.
Discusses the form of Qitaiyanggo from the angle of culture ecology and analyses the relation between regionally culture and the characteristic of Qitaiyanggo,the article points out that the given environment decided the production structure of combination of agriculture and commerce and the culture character,the Shehuo tradition established the base of the form of Qitaiyanggo and.
从文化生态的角度探讨祁太秧歌的生成,分析祁太秧歌特色的形成与地域文化的内在关联,可以看出:晋中地区生态环境决定了当地农商结合的生产结构及文化特征,农业社会形成的社火传统为祁太秧歌表演形态的演进奠定了良好的基础,也决定了其表演内容的狂欢性特征;农商结合的生产方式造就了商人和游商小贩等特殊的社会群体,人们对不同群体生活的社会记忆和道德评价成为秧歌剧目的内容特色;开放通达的地理优势带来频繁的人员流动和异文化的交融渗透,祁太秧歌多渠道吸收外来民间艺术的精华,形成曲调丰富不拘一格的表演特色;雄厚的经济基础和强大的娱乐市场需求,促使秧歌组织形成并持续发展,使秧歌传统得以传承。
补充资料:农商
1.农业和商业。
说明:补充资料仅用于学习参考,请勿用于其它任何用途。
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