1) a realm of still
虚静之境
2) the beauty of quiet
虚静之美
1.
Through the article we know why Western painting color convert from realism to subjective performance,at the same time,we know why Chinese painting pursuit the beauty of quiet.
本文通过对中西绘画不同色彩观的比较,阐述了西方由于绘画思想的演变,导致其色彩运用从客观写实到主观表现的转变;而中国在天人合一宇宙观的观照下,色彩上以墨为主,追求一种虚静之美。
3) "Empty is Static" It "the Ideal Condition"
"静"之"境"
4) Xujing
虚静
1.
Philosophy Xujing and the xujing Theory of Middle Ancient Literature;
哲学虚静论与中古文学虚静理论
2.
On the Origin of Xujing in WenXinDiaoLong;
浅析《文心雕龙》中“虚静”的来源
5) stillness and emptiness
静虚
1.
Analyzing the stillness and emptiness,mental state,sense and materialization in Chinese ancient artistic conception,the paper reveals the broad and profound theory in artistic creation theory,and discovers the key factors in artistic conception which will have great significance in artistic creation.
分析我国古代艺术构思中静虚、神思、感兴和物化等问题,展示出艺术创作构思理论的博大精深,深刻揭示艺术构思过程中的几个关键环节,对指导当今现实中的艺术创作仍具有重大的指导意义。
6) Void-quietness
虚静
1.
"Void-quietness",the key category in Zhuangzi s thoughts,is a kind of pure,empty and quiet mentality which cannot be interfered by any subjective or objective factors.
虚静,是庄子思想中的一个轴心范畴,指一种清虚、空明、宁静,不受任何主客观干扰的心态。
2.
One is the formation of the sense of void-quietness, in which material world and ego are required to be neglected and it means a welcomed aesthetic mood.
虚静具有两个特定的心理层面:一是虚静之心的形成,要求忘物、忘我,它指称一种倍受推崇的审美心态;一是虚静之心的外射,表现为专注性、内视性、消融性,它意指三种相连的幻化境界:主体物化—客体人化—物我为一。
补充资料:静境
1.静谧的环境﹑意境。 2.犹静域。 3.静态﹐静止的境界。
说明:补充资料仅用于学习参考,请勿用于其它任何用途。
参考词条