1) Wu-chou Revolution
李唐王朝
1.
The influence of "Wu-chou Revolution"of the Tang Dynasty;
“武周革命”对李唐王朝的影响
2) Tang Dynasty
唐王朝
1.
On the Makeup and Efficiency of Central Administrative Structure of Tang Dynasty;
唐王朝中央行政体制的构成及其效能分析
2.
The articlesaid,except for mutual business trade that was the main trade method between Tang dynasty and frontier nationalities,during some series of developingfrontier,they may adopted force,political marries,giving some reputationand giving some gift,altogethergiving trade that kept a friendly political relationship between Tang dynasty and frontier was a kind of important trade metho
唐王朝与边疆各民族之间除了以"互市"为主的贸易往来外,在唐王朝开疆拓土的一系列过程中,或通过武力威慑,或通过政治联姻,或通过遣使册封、赏赐,与边疆民族之间所达成的在政治上表示友好和隶属关系的"贡赐"贸易,也是一种不可忽视的经济贸易形式。
3.
Daqingmao is the third ruler of Bohai country,his dominant time continues to accept the grant from Tang dynasty,positively develops the relationship with Tang dynasty.
大钦茂是渤海国第三代王,其统治时期继续接受唐王朝册封,积极发展对唐关系。
3) Law and Punishment of Tang Dynasty
唐王朝的法与刑
5) the Tang Dynasty
唐朝
1.
Research on contrast of dress culture between Renaissance period and the Tang Dynasty;
唐朝与文艺复兴时期服饰文化比较研究
2.
On Spice Trade of Sea Route Between the Tang Dynasty and Arabian Empire;
唐朝与阿拉伯帝国海路香料贸易初探
3.
The Fight between the Turgesh and the Tang Dynasty and the Arab Empire for Central Asia in the First Half of the Eighth Century;
公元8世纪上半叶突骑施与唐朝和大食争夺中亚的斗争
6) Yi Dynasty
李朝
1.
A Brief Survey of "Literary Redress" Policy During the Yi Dynasty of Korea
略论朝鲜李朝正祖的“文体反正”
补充资料：李唐
| 李唐 中国北宋末南宋初画家。字晞古。生卒年不详。河阳（今河南孟县）人。北宋时任画院待诏，南渡后先在市上卖画，后被荐入画院，任待诏，授成忠郎，赐金紫。其画颇受宋徽宗赵佶、宋高宗赵构赏识。擅山水、人物、禽兽、界画。其山水早年师法荆浩、范宽，表现峭拔雄浑的北方山水，用笔刚劲缜密，山石瘦硬。南渡后，变过去的全景式山水构图，为截取自然山水的一角，突出其最感人部分，笔墨粗放，淋漓畅快，爽利简略，以大斧劈皴描绘山石，体积感强烈，开南宋豪放简括的水墨山水之先河。其人物画多表现国破家亡的切肤之痛和对故国山河的眷念之情与复仇雪耻的愿望，人物衣纹用笔方折硬劲，长于精神状态的刻画，手法细致简括，形象鲜明，性格突出。李唐的绘画在当时影响极大，后世将他与刘松年、马远、夏圭并称南宋四家。有《万壑松风图》、《江山小景图》、《清溪渔隐图》、《晋文公复国图》、《采薇图》等传世。
|
说明：补充资料仅用于学习参考，请勿用于其它任何用途。
参考词条