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1)  uglitics
丑学
1.
As the modern extension of aesthetics,absurdity is in the mid-tache between aesthetics and uglitics.
作为美学的现代延伸,荒诞处于美学向丑学过渡的中介环节,或者说荒诞以悲、喜、丑的突破和杂糅形塑了新质的审美形态。
2.
Beauty is showy and appreciated, while uglitics is to be endorsed and appreceived.
丑学的心性气质是迟暮、不惑、老成;它的思想特点是寒俭、沉重、苦涩;其精神张力是“他在”、反响、化裁。
2)  aesthetics of the ugly
丑学
1.
It also puts forward an important problem being neglected in the history of aesthetics that the aesthetics of the ugly should be established in China.
从中国古代审丑意识入手 ,探讨审丑意识的产生、发展以及中西审丑意识的不同 ,进而提出了感性学史上一个久已被忽视的重要课题 :中国当代丑学的建
3)  Ugliness·the Appreciation of Ugliness·the Study of Ugliness
丑·审丑·丑学
4)  aesthetic of the ugly
审丑美学
1.
Different from the aesthetic of the beautiful which takes beauty as the criterion of aesthetic judgment,the aesthetic of the ugly deconstructs and then reconstructs the traditional aesthetics, regarding ugliness as an indispensable part of our life.
审美美学是把“美”作为价值判断的标准,而与之不同的是,审丑美学解构并重新建构了传统美学,认为“丑”同样也是人们生活中密不可分的一部分。
5)  Embodiment of Uglitics
丑学的体性
6)  ugliness [英]['ʌglinis]  [美]['ʌglɪnɪs]
1.
On transformation of esthetic interest of popular entertainment——Interest of popular entertainment in ugliness;
论大众娱乐审美趣味的转变——大众娱乐出现审丑趋势
2.
From “beauty” to “ugliness”:Change of Jia Pingwa′s Aesthetic Perspective——Taking “Gao Laozhuang” as an example;
由“美”及“丑”:贾平凹审美观照的转换——以《高老庄》为例
3.
A Comparison on Ugliness between Chinese and Western Aesthetica Culture;
中西方审美文化中审美范畴“丑"之比较
补充资料:战掉丑奴儿 本名添字丑奴儿 紫极宫加持,
【诗文】:
莱州道众修黄,各各虔诚。无不专精。邀我加持默念经。救亡灵。奈何邻舍屠魁刽,不顾前程。宰杀为生。猪痛哀鸣不忍听。最伤情。


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