1) theory of recretion
再创作论
2) theory of recreation
再创论
1.
The most heated arguments against some of Xu s theories, which are the preservation of the beauty in sense, sound and form; and the theory of advantage and rivalry (which is also called the theory of recreation), may be refuted by comparing the feature of Chinese poetry with that of English p.
文章主要从中英文诗的差异和特点分析许渊冲的“三美”理论、优势论、竞赛论(后两者也称为“再创论”),从而证明这些备受争议的理论在中国古诗词英译上的可行性。
3) re-creation
[英][,ri:kri'eiʃn] [美][,rikrɪ'eʃən]
再创作
1.
In the re-creation of flute recital,you should understand the theme of the song,grasp the style of music,the performance of aesthetic appeal and the appropriate use of sound.
笛子演奏的再创作,做到对乐曲主题思想的理解,乐曲风格的把握,美感韵味的表现,音色恰当运用,丰富的想象力及巧妙的艺术处理。
2.
In performance,the form of the works is the first creation and the performance is called the re-creation.
在音乐表演中将作曲家的创作称为第一次创作,而表演者的表演则称作再创作。
4) recreation
[英][,rekri'eɪʃn] [美]['rɛkrɪ'eʃən]
再创作
1.
The process of editing is a process of more careful recreation by the editor according to the author s writing style as well as his thread of thought.
忠实原作、保持理性、简明通俗以及注重提高审美品位,是编辑"再创作"应遵循的指导思想。
2.
The recreation of Periodicals editting refers to the creative process based on the manuscript.
期刊编辑的再创作是建立在原创基础上的附加于原创体的创造性劳动 ,它主要体现在信息的选择、成果的确认、稿件的加工、稿件的组织等方面。
3.
Performance needs high level skills and plentiful emotions,and in some sense is a recreation of the art of music.
文章阐述了音乐艺术作为听觉艺术必须经历,“创作—演奏(表演)—欣赏”三个环节,其中演奏起着重要的作用,演奏需具有高超的技艺、充沛的感情注入,从某种意义上说演奏是音乐艺术的再创作。
5) Language of recreation
语言再创作
6) artistic re-creation
艺术再创作
1.
Literary translation: A special artistic re-creation;
文学翻译:特殊的艺术再创作
2.
Based on a scrutiny of the nature of artistic re-creation of singing,the present paper is an analysis of the constituent relations of the vocal singer to the lyrics writer,the music composer,previous performers, the audience, the critic and the singer himself, with a view to promoting the artistry of singing.
本文通过对声乐演唱这一艺术再创作特殊过程的透析,分析演唱者这一主体与词作者、曲作者、前人演唱、个人自我、审美者、评论者之间的关系,并加以细致的阐述。
补充资料：《概率论、信息论及其在雷达中的应用》
阐述雷达信息和信号检测理论的经典著作，英国P.M.伍德沃德著。1953年伦敦派加蒙出版公司出版，1964年再版。全书共七章，前三章是概率论、信息论和信号分析的基础，也是阅读本书的预备 知识。第四章是噪声中信号检测的一般理论，对理想接收机和后验概率理论作了精辟的阐述。最后三章是全书的精华，系统阐述雷达信号检测理论和分辨理论。书中提出著名的伍德沃德模糊函数的定义，后成为雷达信号分析和波形设计的有效工具。书中还分析了几种典型雷达信号的模糊函数及其对系统潜在性能（精度、分辨力、模糊度）的影响，对雷达信号波形设计有很大的作用。这本书已被译成多种语言出版。1980年美国再次翻印出版。
说明：补充资料仅用于学习参考，请勿用于其它任何用途。
参考词条