1) poems on history
咏史
1.
Poetry critics have seldom taken the trouble to compare poems on history and poems recalling antiquity for both deal with things happening in the ancient time.
咏史诗与怀古诗都是涉“古”题材的诗歌,但诗论家历来都不大注意去仔细区别它们。
2) poems on history
咏史诗
1.
In this article the author has classified the poems on history from their emotions and contents,and then further classified them into subcategories.
郑板桥是清代著名的文学家,其咏史诗在文集中有着独特性,故有探讨之意义。
2.
As an important genre of classical Chinese poetry,poems on history first came into being in Wei Jin and South and North Dynasties and went through the early development.
作为中国古典诗歌的一个重要类型,咏史诗在魏晋南北朝时期初步形成并且完成了其早期的发展历史。
3) the History-Intoned Poetry
咏史诗
1.
Further more, the History-Intoned Poetry of the Southern Dynastiy showed new features:the formation and maturity of the poems meditationg on the past, the appearance and creation of the History-Intoned Poetry getting prefixed topic ,the feminization and convergence of the History-Intoned Yuefu poetry.
南朝咏史诗不仅数量较多,超越前代,亦有像颜延之这样的优秀咏史作家。
2.
Preface, pointed out the sense of the History-Intoned Poetry and the present situation of research, considered that the present situation of research was insufficient.
引言,指出咏史诗研究的意义与以前研究现状。
4) history poems
咏史诗
1.
Beauty Leads to the Downfall of the State——history poems by Li Shangyin;
浅析李商隐咏史诗中的女色祸国倾向
6) fu on history
咏史赋
1.
While it loses its force for the lack of vividness and various styles that it used to contain,fu on history comes to take its place and experienced the changes in positive significance by displaying its stylistic advantages and emotional expressions.
当咏史诗日渐失去其活泼的诗思与多样化的风格时,咏史赋却借助其文体优势,宛转敷演,唱叹多情,回归于诗,完成了富于积极意义的嬗变。
补充资料：咏史
【诗文】：
三王德弥薄。
惟后用肉刑。
太苍令有罪。
就递长安城。
自恨身无子。
困急独茕茕。
小女痛父言。
死者不可生。
上书诣阙下。
思古歌鸡鸣。
忧心摧折裂。
晨风扬激声。
圣汉孝文帝。
恻然感至情。
百男何愦愦。
不如一缇萦。
【注释】：
【出处】：
三王德弥薄。
惟后用肉刑。
太苍令有罪。
就递长安城。
自恨身无子。
困急独茕茕。
小女痛父言。
死者不可生。
上书诣阙下。
思古歌鸡鸣。
忧心摧折裂。
晨风扬激声。
圣汉孝文帝。
恻然感至情。
百男何愦愦。
不如一缇萦。
【注释】：
【出处】：
说明：补充资料仅用于学习参考，请勿用于其它任何用途。
参考词条