1) the officialese style of the Ming Dynasty
明代台阁体
1.
So we try to sort out all the research achievements on it and the concrete problems which await further discussion and study in the domestic academic circles from six aspects since the 20th Century, we hope the article can be a new starting station for further research on the officialese style of the Ming Dynasty.
从国内学术界对明代台阁体研究的六个方面入手,梳理20世纪以来所取得的研究成果和有待于反思和探索的具体问题,是进一步研究台阁体的起点。
2) The Shaping of the Tai-ge School in Ming Dynasty
明代台阁派形成
3) cabinet style
台阁体
1.
Rooting in cabinet political foundation and lixue academic basis,cabinet-style literature in Ming Dynasty has three mutually related characteristics: politicization in literary tradition,non-literature in literary concept,monopoly and cabinet style in literary writing.
根源于台阁政治基础和理学学术基础,明代台阁体文学表现出相互联系的三大特点:文统上的政治性、文学观念上的非文学性、文学写作上的独占性和台阁气。
2.
In the later Yuan and early Ming Dynasty, the development of literature had experienced a dynamic process of change from formation of Fany Xiaoru s literary thought to his being a important figure in literary arena following Song Lian and Liu Ji, also to formation of the cabinet style following him.
元末明初，从方孝孺文学思想的形成到方孝孺成为继宋濂、刘基等浙东文人之后文坛上的重要人物，再到继他之后文坛上的台阁体文学的开始形成，文学在发展上存在一个动态变化的过程。
4) Studies in the Cabinet Minister Group of the Ming Dynasty
明代阁臣群体研究
5) Song Lian and "Tai Ge" Literature
宋濂与台阁体
6) authorities
[英][ə'θɔ:riti] [美][ə'θɔrətɪ]
台阁
1.
This was the spirit home that he had found out for himself in the authorities in Ming Dynasty, refracting the antinomy of an official and recluse in his mind.
“吏隐”是李东阳调和其仕宦与隐逸的折衷之举,是其为自己寻找的一身处台阁的“山林”精神家园,折射出了其思想深处“吏”与“隐”的矛盾。
补充资料：台阁体
| 台阁体 中国明代永乐至成化年间的文学流派。代表人物为杨士奇、杨荣、杨溥，号称三杨。永乐至成化几十年间是明朝的太平盛世，三杨是当时的台阁重臣，深受皇帝的宠信。他们所作诗文，或为粉饰太平、歌功颂德的应制之作，或为诗酒唱和与酬酢赠答的应酬之作，或者写自己的生活情趣，一般都缺乏深湛切著的社会内容，雍容典雅、平正淳实是其风格特点。由于他们身居高位，作品又有一种富贵福泽的太平宰相气度，故追随模仿者甚多，影响颇大，形成流派，被称为台阁体，统治明前期文坛几十年。其后台阁体文风的流弊日益突出，遭到抨击，终于在前后七子复古论的冲击下逐渐退出文坛。 |
说明：补充资料仅用于学习参考，请勿用于其它任何用途。
参考词条