1) marriage metaphor
婚恋比兴
2) marriage and love
婚恋
1.
Taking marriage and love as the main theme,Zhang Ai ling usually writes on marriage concerning economy,morbid love,inharmonious family and subsequent unhappy life.
张爱玲的小说以婚恋现象为主要题材 ,多写经济婚姻、病态情爱、家庭的不和谐、爱情的不圆满以及由此而来的人生不幸。
2.
The family of marriage and love is more than simple unity between man and woman, and has plentiful cultural implications .
在中国传统文化中,婚恋家庭不只是个体男女的简单结合,而有丰厚的文化内涵。
3.
<Abstrcat> The Hakkas marriage and love is intricate, it forms the world of great variety, 《Cheng Xian Zhang MediumShort Story Volumes》 is its outline.
客家人的婚恋既受传统文化的影响,又有鲜明的时代印记;既有地域的"本土性",又吸收了外来的"现代性";有理想的追求,更有现实的执着。
3) love and marriage
婚恋
1.
In-depth Closely Examines to the Love and Marriage Tragedy of Grieves Over Dead and Cold Night;
《伤逝》与《寒夜》中婚恋悲剧的深层追问
2.
Love and Marriage of the Urban Middle Classes in the Low Countries from the 13~(th) to the 15~(th) Century;
13-15世纪低地区域市民阶层的婚恋状态
3.
Being not only an important event in individuals life but also a phenomenon which reflects the culture of a society,love and marriage is an essential foundation for the happiness of individuals,the order of a society and the stability of the culture.
婚恋作为一项重要的个人生活事件与社会文化现象,建构着个体的幸福和社会的稳定,维持着社会的文化秩序。
4) marriage
[英]['mærɪdʒ] [美]['mærɪdʒ]
婚恋
1.
Compared with traditional ideas of marriage in the Chinese feudal society,the free marriage practice in the Taiping Heavenly Kingdom was positive and worth of affirming.
太平天国主张男女婚恋自由,与中国封建社会传统婚姻相比较,的确出现了一些值得肯定的变革,长期受到学界和社会的高度肯定,并将其作为妇女解放的一大依据。
2.
For a long time,researchers have been paying more attention to studying the life history and marriage of Zhu Shuzhen who was a woman poet in Song dynasty.
宋代女诗词家朱淑真的身世和婚恋一直倍受后代研究者的关注,但由于资料匮乏,研究者往往针对其诗词作品进行推测,以致凭空加入许多想像的成分。
3.
This paper weightily discusses the social,cultural,ideological and personal causes of the females from struggling for liberation to falling into hot water under the press of the male supremacy culture with the beginning of analysis of the woman writer Chen Xuezhao’s marriage tragedy.
该文试图从剖析现代女作家陈学昭的婚恋悲剧入手,着重探讨在男权文化挤压下,女性从奋力突围到身陷困境的时代社会、文化思想与个人性格等原因,重新审视在民族与阶级解放的宏大历史叙事中,女性解放的艰辛曲折历程以及时常被遗忘、被遮蔽、被扭曲的历史真相。
5) Adult Romantic
婚恋依恋
1.
Review and Prospects of Study On Adult Romantic Attachment;
成人婚恋依恋研究回顾与展望
6) Concept of marriage and love
婚恋观
1.
The youth in both the mainland and Taiwan share many common features in their concept of marriage and love due to the same ancestral root and the influence from the Chinese traditional culture for several thousand years.
大陆和台湾地区青年同根同祖 ,同受几千年中国传统文化道德的教育、影响 ,在婚恋观上有很多相同的地方。
补充资料：比兴
文学创作中的两种手法。比是比喻，兴为寄托。比、兴两法在我国诗歌创作中源远流长，从《诗经》起就已开始运用。儒家诗论把比兴列为风、赋、比、兴、雅、颂“六义”的两种。郑玄说：“比”是“见今之失，不敢斥言，取比类以言之”。“兴”是见今美，嫌于媚谀．取善事以喻劝之”(见《周礼·春官宗伯·大师》注)。把比兴与美刺联系起来加以解释。比兴之法多用在旧体诗词和民歌中，一般文学作品中极少运用或不用。
“比”与“兴”是我国古代诗歌常用的技巧。除诗歌外，现代散文、小说等也常用比兴手法。所谓“比”，按照朱熹的解释是“以彼物比此物也”，其实就是比喻。它通过具形具色的事物比所要写的事物，使之形象、生动、具体。所谓“兴”，即“先言他物以引起所咏之词也”。诗用形象思维，离不开比兴两法。因此，比与兴构成了诗的两种技巧。
说明：补充资料仅用于学习参考，请勿用于其它任何用途。
参考词条