1) Hakka love song
客家情歌
2) the complex of Hakka's folk song and proverb
客家歌谣情结
3) Hakka folk song
客家山歌
1.
The Feminine Consciousness of Hakka folk songs in Gannan Area;
赣南客家山歌女性意识的历史文化渊源
2.
In 2006,Hakka folk songs were examined and approved to be one masterpiece of the first non-material culture-preserved heritages in China.
2006年客家山歌被审定为我国第一批非物质文化保护遗产的代表作,探究客家山歌的传承,并分析在传承与发展的过程中相对滞后的原因,提出相应的对策:首先"保存"起来提升对遗产的崇敬和尊重,其次再"保护"它进行更好地传承与发展,让新颖、鲜活的艺术形式把客家山歌的音韵之美流芳千古。
3.
The Hakka folk song is one of the well-known folk songs in China,and its unique artistic style requires some special skills in its singing.
客家山歌是我国著名的民歌之一,它独特的艺术风格要求在演唱中要有独特的技巧。
4) hakka folk songs
客家山歌
1.
Through a comparative study on the similarities between the formal features as well as extra words and sentences of Liancheng Taoist and those of hakka folk songs,this paper makes a probe into the relationship between Liancheng Taoist ceremonial music and hakka folk songs and reveals that Liancheng Taoist music is closely related with folk songs,which is the common features of all Taoist music.
通过比较连城道教经韵与客家山歌在旋法特点和衬词衬句方面的共同特点,探讨连城道教科仪音乐与客家山歌的关系,揭示出连城道教音乐具有与民间音乐紧密相关这一道教音乐所共有的特征;通过对连城与龙虎山天师道在科仪类型和内容、龙虎山"上清腔"经韵与连城道教经韵的典型旋律型的比较,表明连城道教科仪及其音乐与龙虎山天师道的渊源关系。
2.
Zhong Jingwen s academic study of folk literature began in the investigation and research of Hakka folk songs.
钟敬文先生民间文学的学术历程起始于客家山歌的调查与研究,是客家山歌的天籁之音激发了他对民间文学的浓厚兴趣。
3.
Current researchers on the cultural origins of Hakka folk songs hold the view that Hakka folk songs are originated in central China,emphasizing the direct influence of the The Book of Odes.
以往关于客家山歌文化渊源的探讨,主流的观点是从中国文化中原中心论出发,片面强调客家山歌直接继承《诗经》的文化传统,根在中原。
5) Hakkas ballad
客家歌谣
1.
A large quantity of imperial edicts,orders and inscribed books promulgated and issued by the Heavenly Kingdom of Taiping were used mainly in Hakkas folk literature styles,and in the form of colloquialism,dialect,slang and Hakkas ballad.
太平天国颁布和发出的大量谕旨、命令和刊刻的书籍,多用客家民间文学体例,并以俗语、方言、俚语和客家歌谣的形式出现。
6) Hakka Folksongs
客家民歌
1.
On the Musical Features of Hakka Folksongs of Hezhou,Guangxi
论广西贺州客家民歌的音乐特色
补充资料：《仓央嘉措情歌》
| 《仓央嘉措情歌》 中国17世纪藏族情歌集。第六世达赖喇嘛仓央嘉措著。作者始终未能忘情于世俗生活，以亲身感受创作了大量诗歌，写出了人的内心矛盾和对现实生活的理想，突破了宗教对人性的束缚。这些作品不但思想内容积极进步，而且具有很高的艺术技巧。格律结构上，采取了谐体民歌的形式，基本上每首四句，每句六个音节，分为三拍。即四句六言三顿，节奏响亮，琅琅上口。情歌多取比兴，直抒胸怀，自然流畅，通俗易懂，为藏族诗歌创作开拓了新的诗风。 |
说明：补充资料仅用于学习参考，请勿用于其它任何用途。
参考词条