1) static play and dynamic play
静态剧与动态剧
1.
The paper makes a comparative analysis of two classical plays in the 17th century the Palace of Eternal Youth by Hong Sheng and Andromeda by Racine Jean from two tragedy conflict types,two kinds of relations between plot and structure, two kinds of tragedy rhythm and two literature forms of static play and dynamic play.
本文对17世纪中西两个经典戏剧文本——洪昇的《长生殿》和拉辛的《安德洛玛克》作了比较性论析,所及包括悲剧冲突两种类型、情节与结构的两种关系、两类悲剧节奏以及静态剧与动态剧两种体式,从中作出判断:中西悲剧的冲突及其表现形式不一致,甚至给人以对立的印象,而这正是中西文化差异的生动体现。
4) ecological tragedy
生态悲剧
1.
,he expounds that ecological crisis and ecological tragedy connect with humanity and moral,and that the degeneration of mind is the root of the worse relationship between humankind and nature,the ecological crisis and the ecological tragedy.
他在《白轮船》、《断头台》等生态小说中,通过生态悲剧的故事分析了生态危机、生态悲剧的产生是和人性、人的道德联系在一起的;人性的堕落是人与自然关系的恶化、生态危机、生态悲剧等产生的根源。
5) the tragic attitude
悲剧态度
1.
He adopted the find words of historical figures as the medium and successfully revealed the special tragic beauty from different angles, such as the tragic leading role, the tragic attitude, the tragic effect, the tragic content, the tragic origin, which effectively made it a real work of Chinese tragedy.
在《史记》中司马迁以悲天悯人的情怀思考着天人共参的历史时势下人的本质悲剧,并以历史人物的临终语言作为中介,从悲剧主角、悲剧态度、悲剧效果、悲剧内涵、悲剧根源等不同角度成功地展示了《史记》特有的悲剧美,使它成为一部真正的中国人的悲剧力作。
6) the comedy of manners
世态喜剧
1.
This paper studies Yang Jang′s comedy spirit,through the discussion of the rich sources of her family background,classic Chinese literature and the comedy of manners of Western Europe.
主要阐释杨绛喜剧精神的内涵 ,探讨其喜剧精神的人生与艺术资源 ,包括家学渊源、中国传统世情文学的教化和英法世态喜剧的影响三方面内容。
补充资料：嘲剧
见越南戏剧。
说明：补充资料仅用于学习参考，请勿用于其它任何用途。
参考词条