1) ErRenZhuan
二人转
1.
The region cultural cognitive value of north-east folk art "ErRenZhuan;
东北民间艺术“二人转”的地域文化认识价值
2.
The paper analyses the predicaments between the heritages and traditions generated out of the evolvement of Errenzhuan, which takes the Heishan county senior Errenzhuan craftsmen s art career and the current situation of Errenzhuan transmission as the evidence.
以黑山县二人转老艺人的艺术生涯、传承现状,分析与研究传统与传承在二人转流变中所面临的困境;并以黑山地方戏小剧团为个案,探讨流变中的乡村二人转在生存与发展中遇到的许多现实问题。
3.
Errenzhuan has a history of 200 years in the northeast of China.
二人转在东北地区已经有二百多年的历史,因其浓郁的泥土气息和独特的乡音乡情,深受老百姓的喜爱,被称为东北黑土地上的“山花野草”。
2) Er-ren-zhuan
二人转
1.
Northeastern China s Er-ren-zhuan carnicval——Analysis of and reflection on Er-Ren-zhuan;
二人转:狂欢之后——对东北二人转的阐释和反思
2.
Like other local theatres and ballad singings in China, er-ren-zhuan was on the decline in the late 1980.
诞生于黑土地的二人转已有近三百年历史，它源于东北农民的自娱自乐活动，逐渐发展成娱人的演艺形式。
3) song-and-dance duet
二人转
1.
In today s traditional Chinese folk music,"song-and-dance duet" has become an important part of it.
在当今的中国传统民间音乐中,"二人转"音乐已经成为重要的组成部分之一。
2.
By comparing Manchu folk music and the Han nationality folk music from the aspects of the method of carrying out melody,structure,mode,rhythm,time and arguementation of the source of song-and-dance duet,expounds that Shaman music is the source of the national and folk music culture of Northeast China.
通过对满族民间音乐与东北汉族民间音乐在旋法、结构、调式、调性、节奏、节拍上的比照,以及对“二人转”音乐起源的论证,进一步从理论上阐明萨满音乐是东北民族民间音乐的源泉。
4) the Couple Dance Opera
二人转
1.
As society advances, Shaman culture had gradually lost existing conditions and was evolved into another kind of local culture"the Couple Dance Opera",and it is a cultural form that is popular with the audience from various sectors of the country.
随着社会的进步,萨满文化已经失去存在的条件,在此基础上演化为另一种乡土文化"二人转",这种文化形式,受到全国各阶层观众的推崇。
5) The Northeast song-and-dance duet
东北二人转
1.
The Northeast song-and-dance duet is a form of civil art that is deeply loved by northeasterner.
东北二人转是深受东北大众所喜爱的一种民间艺术表演形式,它兼有歌舞、曲艺、戏曲三种属性于一身,其强大的包容力,可以容纳兼收任何其他艺术样式的东西。
6) the culture of ErRenZhuan
二人转文化
补充资料：二人转
| 二人转 中国东北曲种。俗名蹦蹦。属走唱类曲艺。流行于辽宁、吉林、黑龙江及内蒙古东部。已有约200年的历史。艺人师承关系可上溯到清代嘉庆末年。二人转是在东北大秧歌基础上，吸收莲花落而成。同时又吸收了太平鼓、河北梆子、评剧等音乐唱腔与表演技巧。历史上可分为东、南、西、北4个流派。东路以吉林市为中心，舞彩棒，含武打成分；西路以辽宁黑山为中心，讲究板头；南路以营口为中心，歌舞并重；北路以北大荒为重点，唱腔优美。二人转演出形式分为单、双、群、戏四种，单出头，即一人演唱；双即二人转，分扮一旦一丑，载歌载舞；群即群唱、群舞、坐唱等；戏即拉场戏。唱腔丰富，高亢火爆，亲切动听。传统曲目有300多个，以《包公赔情》、《杨八姐游春》较有影响；新编曲目有《三只鸡》、《接姑娘》等。
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