1) living figures
活的形象
1.
On the basis of inheriting the achievements of predecessors,Schiller,an important theory representative of German classical aesthetics,points out the way of "explaining beauty with perceptivity and objectiveness" and defines beauty as "freedom in phenomenon" and "living figures".
德国古典美学的重要理论代表席勒在批判地继承前人的基础上提出“感性—客观地解释美”的思路,并把美界定为“现象中的自由”和“活的形象”。
2) vivid image
形象活
3) the image of "Cat"
"猫"的形象
4) the snake
蛇的形象
1.
By the study of the image and genesis of the snake, we found that the form and evolution of that special image revealed the spirit of hominid, and the image of the snake took the important role in inner structure of primal thinking.
通过对蛇的形象和起源的分析,发现"人首蛇身"形象的形成和演变,体现的原始人类的精神。
5) image of god
神的形象
1.
This article starts with both eastern and western mythologies, focuses on a simple comparison of the image of god between Chinese and Greek mythologies so as to .
中国与希腊神话传说在神的形象的塑造上存在许多异同之处。
补充资料：产品形象
产品形象
product image
产品形象(produet image)即产品的魅力，指产品对公众的吸引力。它的心理机制是产品的个性与公众的思想感情的密切联系。通常，产品的魅力主要取决下列因素:一是方‘便，如便于携带、存放等;二是适应性强，即用途广泛;三是质量高;四是合乎顾客的地位或身份;五是可靠性:六是满足顾客的审美需要。许多名牌产品，一般都具有上述特点，能使顾客或公众获得多重满足。 (张燕逸撰张交审)
说明：补充资料仅用于学习参考，请勿用于其它任何用途。
参考词条