1) realistic women
现实女性
1.
On the realistic women s theme of Fu from pre-Qin Days to the western and eastern Dynasties;
先秦两汉现实女性题材赋研究
2) female realism
女性现实主义
4) realistic state of women's division
女性分裂的现实状态
5) Achieving a New Femininity
新女性的自我实现
6) modern female
现代女性
1.
The relation between modern females of each act in the society and the different skirt were elaborated,for the purpose of explaining the skirt not only endows modern female with the ventilation and the warmth but also the shape improvement.
阐述了现代女性在社会中扮演的各种角色形象与不同裙装之间的关系,旨在说明裙装对现代女性形象塑造不仅起到透气保暖、塑形修身和表达自我的作用,且对现代女性参与职场生活与社会竞争有非常大的效用价值。
2.
Through analyzing the work "Meng Hui" written a couple of years ago by Chen Ran,this paper explores the worry and reflection of Chen Ran on the living conditions of modern females projected by her works.
文章以陈染近年来的一个短篇小说《梦回》为切入点,探讨了陈染借小说投射出的对于现代女性生活现状的一种忧虑和思考。
3.
With the fast establishment and development of socialist market economy, there are a lot of chances for modern female to participate in socialist development and competition.
社会主义市场经济的建立与发展,给现代女性带来了更多地参与社会发展与竞争的机会。
补充资料:超现实主义画派
1924年产生于法国。由法国作家布雷东发起。在巴黎先后发表两次《超现实主义宣言》,形成了超现实主义画派。认为“下意识的领域”,如梦境、幻觉、本能等是创作的源泉,主张从潜意识的思想实际中求得“超现实”。作品主要描写潜意识领域的矛盾现象,把生与死、过去与未来、真实与幻觉统一起来,具有恐怖、离奇、怪诞的特点。代表人物有米罗·恩斯特等。
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