1) poetry rhyme theory
诗韵论
1.
The discussions on poetry rhyme theory in the Ming and Qing Dynasty poetry eyesight,mainly embody in three aspects: the first is the praising rhyme as the poetry aesthetic root,the second is probing its aesthetic characteristic,the third is inspecting its creating and product.
明清诗学视野中的诗韵论,主要体现在三个维面:一是对“韵”作为诗歌审美之本的标树;二是对诗韵审美特征的探讨;三是对诗韵创造与生成的考察。
2) rhyme
[英][raɪm] [美][raɪm]
诗韵
1.
The rhyme scheme of the New Chinese Poetry is divided into traditional and modern types.
新诗的用韵方式有传统式和现代式两种,新诗韵律除节奏和诗韵外还有同音堆集等辅助方式。
2.
The rhyme is form and the meaning is content.
诗韵之于诗歌犹如“文”之于“言”。
3.
On Rhyme of Arthaic Poems of Zhejiang in Yuan Dynasty;
本文以元代浙江籍40位诗人的5421首古体诗为研究对象,运用韵脚字归纳法考求元代浙江地区古体诗韵部系统。
3) On Verve Poetry by Wang Yuyang
论王渔洋的神韵诗
4) rhyming in the new-style poetry
近体诗诗韵
6) rhyme in classical poems
古体诗韵
补充资料：次古诗韵 其一
【诗文】：
飞云添远思，淫雨滞行期。
渐入老来景，都非少壮时。
林昏归鸟疾，溪急上船迟。
眼底元元弊，何人念在兹？
【注释】：
【出处】：
飞云添远思，淫雨滞行期。
渐入老来景，都非少壮时。
林昏归鸟疾，溪急上船迟。
眼底元元弊，何人念在兹？
【注释】：
【出处】：
说明：补充资料仅用于学习参考，请勿用于其它任何用途。
参考词条