1) perceptual ontology
感性本体论
1.
The bitrh of perceptual ontology was an important event of the development history of western philosophy in the early of 10 th century.
感性本体论的诞生,乃是19世纪上半叶西方哲学发展史上重大的哲学事件,它标志着长达两千多年来的西方传统哲学开始遭遇重创,一个崭新的哲学时代开始来临。
2.
Under its influence, China s literary theory of the new age has achieved the aesthtic tendency and showed the trend of aesthetic monism and perceptual ontology of aestheticism in such respects as aesthetic experientialism, aesthetic perceptivism, aesthetic formalism, aesthetic transendentalism and aesthetic essentialism.
受其影响 ,我国新时期文学理论具有美学化倾向 ,在审美体验论、审美感性论、审美形式论、审美超越论、审美本质论等理论环节上显示出审美主义之审美一元论和感性本体论的倾向。
3.
Under its influence, China s literary theory of the new age has got the tendency of aesthetic appreciation, and shows the trend of aesthetic monism and perceptual ontology of aestheticism on the theoretical links between aesthetic experientialism, aesthetic perceptivism, aesthetic formalism, aesthetic transcendentalism, and aesthetic essential.
审美主义是在近现代西方出现的人生观、世界观和艺术观价值取向上的审美一元论思想 ,受其影响 ,我国新时期文学理论具有美学化倾向 ,在审美体验论、审美感性论、审美形式论、审美超越论、审美本质论等理论环节上显示出审美主义之审美一元论和感性本体论的倾向。
2) Ontology of sensual activity
感性活动本体论
3) noumenon of perception
感性本体
1.
The noumenon of reason is about the origin of things and is abo ut the solution of basic contradication of nature and society,and is therefore m ore important than the noumenon of perception which,as the starting point, is indispensable though.
但感性本体作为认识的起点也是 不能丢的，舍此我们对事物就会毫无认识。
4) the emotion ontology
情感本体论
1.
The lyric poetry is the main stream of Chinese classic verse, and the emotion ontology is an important term of Chinese classic poetics.
抒情诗是中国古典诗歌的主流,情感本体论是中国古典诗学中的重要论题。
5) ontological nature
本体论性
1.
In view of this, an attempt has been made to re-explain aesthetic categories with the sublime as the central form of aesthetic activities in order to fully display and totally understand the ontological nature of aesthetic activities and to correct the partial understanding of aesthetics as the science of sensibility.
针对审美感性论、审美学是感性学的偏颇,本文尝试以崇高为中心重新解释审美活动,试图通过对诸审美形态的考察,全方位地显现审美活动的本体论性,以校正对审美活动及审美学的片面理解。
6) sense and emotion ontology
感觉激情本体论
1.
After the reading of "the Manuscript of Economics and Philosophy in 1844",we know that Marx s philosophical Ontology is not nature and substance ontology but sense and emotion ontology put forward by Marx himself.
马克思的“哲学本体论”是什么?通过研读《1844年经济学哲学手稿》可以认定,马克思哲学的本体论,绝非“自然、物质本体论”,而是马克思自己提出来的“感觉激情本体论”。
补充资料：本体论
| 本体论 ontology 哲学术语。在西方哲学中，指关于存在及其本质和规律的学说。“本体”一词源于拉丁文on（存在、有、是）和ontos（存在物）。17 世纪德国经院学者第一次使用本体论一词，并将它解释为形而上学的同义语。在中国古代哲学中，本体论称为本根论，指探究天地万物产生、存在、发展变化根本原因和根本依据的学说。 |
说明：补充资料仅用于学习参考，请勿用于其它任何用途。
参考词条