1) poetic language
诗性话语
1.
For Kristeva, the dialogism, ambivalence and intertextuality provide a basic structure for the exploration of the possibility of language; poetic language break up the language habits and thus liberates the speaking subject from the fetters of linguistic and social network.
克里斯蒂娃认为,词语的对话性、歧义性以及文本的互文性为探索语言的各种可能性提供了基础;诗性话语打破了语言习惯从而把言说主体从语言和社会的各种禁锢网络中解放出来;话语主体通过阅读-书写过程介入到社会历史话语之中并重新书写历史、干预资本主义社会现实。
2) poetic discourse
诗性话语
1.
The analysis of language features of the daily discourse and the poetic discourse in novels by Fang Fang reveals that the familiarization of the daily discourse and the defamiliarization of the poetic discourse are two important techniques in expression of the world,which are not absolutely contradictory,and their contradiction and conversion enriches the language of the novels.
通过对方方小说中日常话语和诗性话语的语言特色进行分析,在把握日常话语的“熟知化”和诗性话语的“陌生化”的同时,也看到二者不是绝对对立的,它们的相互斗争和转化丰富了小说的语言世界。
4) poetic discourse
诗学话语
1.
Marked with Poetic Mode of Jiao Ran and Rhyme and Light of Huan Zeng,the artistic theory of poetry in China and Idia had formed a theoretic system of artistic theory of poetry with poetic discourse as its frame.
以皎然的《诗式》和欢增的《韵光》为标志 ,中、印的诗歌艺术理论形成了以诗学话语建构的诗歌艺术理论体系。
5) poetic fairytale
诗性童话
1.
It not only restrains the external authoritative discourse, but also creates this open style with poem and fairytale, that is, poetic fairytale.
将巴赫金的理论移植入金波童话新作《乌丢丢的奇遇》,向人们展示这部童话的魅力,不仅抑制了外在的权威话语,并独创了这种既诗又童话的开放文体,即诗性童话。
6) Shihua of Xingling School
性灵派诗话
补充资料：连续性与非连续性(见间断性与不间断性)
连续性与非连续性(见间断性与不间断性)
continuity and discontinuity
11an父ux泊g四f“山。麻以角g、.连续性与非连续性(c。nt，n琳t:nuity一)_见间断性与不间断性。and diseo红ti-
说明：补充资料仅用于学习参考，请勿用于其它任何用途。
参考词条