1) comedy consciousness
喜剧意识
1.
This paper contrasts Chinese comedy theory with that in other countries, explores the comedy, comedy consciousness as well as revelry, and points out that comedy consciousness is the core of the comedy and comedy consciousness is reflected in revelry in the multi-culture linguistic environment of today.
文章通过中外喜剧理论对比,探讨了喜剧、喜剧意识及狂欢化,指出在当今多元的文化语境下,喜剧的核心是喜剧意识,喜剧意识的集中反映是狂欢化,狂欢要做到自由与约束的和谐统一。
2) Comedy Consciousness and Revelry
喜剧意识与狂欢化
3) comic meaning
喜剧意味
1.
The comic meaning of Xue Lundao s San-qu poem;
试论薛论道散曲的喜剧意味
5) affectionateness for autumn
喜秋意识
1.
In analyzing the poems of Du Mu, a poet in the late Tang Dynasty, and his life and thought, we can feel some kind of affectionateness for autumn which has its origin in the poet s aspiration and bosom, his disposition and temperament, and his family s social standing,etc.
从晚唐诗人杜牧诗歌和生平思想的分析中 ,可以看出其诗歌中存在鲜明的喜秋意识。
6) Tragic Consciousness
悲剧意识
1.
The tragic consciousness and "Qan chibi Fu";
苏轼的悲剧意识及其《前赤壁赋》
2.
Comparison of main character images in Sunrise and A Country of Snow——Discussion on tragic consciousness of Cao Yu and Chuanduan Kangcheng;
由《日出》、《雪国》中主要人物形象比较——看曹禺与川端康成的悲剧意识
3.
Hemingway s tragic consciousness as viewed from his A Farewell to Arms;
从《永别了,武器》看海明威的悲剧意识
补充资料:悲喜剧
戏剧类别之一,兼有悲剧和喜剧的因素。一般具有圆满的结局。
说明:补充资料仅用于学习参考,请勿用于其它任何用途。
参考词条