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1)  mythical image
神象
1.
The article reinvestigates Chinese mythology in a way based on a certain relationship between three mythical images(animal image,half animal and half human image,and human image) and three human beings self-egos("non ego","half ego" and "quasi ego").
神象"三像"(兽形神、人兽神与人形神)的递嬗与人类自我意识"三我"("无我"、"混我"与"准我")的演进密切关联,以这一关联为视角对汉族神话进行观照,发现汉族神话具有两个突出的特征:其一,兽形神、人兽神充分发展,而人形神则呈"缺席"状态。
2)  Spiritual phenomena
精神现象
1.
On the contemporary spiritual phenomena of the Chinese Nation;
论中华民族现实的精神现象
3)  mythological image
神话想象
1.
Taking the Records of the Western World in Great Tang Dynasty as an example,this paper analyze the Sinkiang images in the ancient sino-western region essays via the folk customs,the patriotism thoughts which were showed in this work,and via the cohesive procession of the national spirits in which the mythological image stories of each Sinkiang nation were told.
以《大唐西域记》为例,从其中所表现出来的新疆的民风民俗、爱国主义思想及民族精神的凝聚过程及其中的新疆各民族神话想象故事的描写,来分析古代汉族西域散文中的新疆想象。
4)  main God image
主调神象
1.
Taking the differences between the main God images of China and Greece as the point of departure,the paper establishes a relevant connection between God image and self-consciousness and proves that the development of "Three Images of God" is a reflection of "Three Selfs" of self-consci.
以中国、希腊神话的主调神象差异为视点、架构起"神象与自我意识"的关联规律,即神象"三像"的变更是人类自我意识"三我"演进的自画像,并以此为理论尺度,可使"主客合一"与"主客二分"的中西文化品质在中希两族主调神象的"异位"中得到满意的诠释。
5)  myth image
神话意象
1.
The images of crow in Chinese classic poetry can be classified to three types: folklore,history and myth image.
中国古典诗歌中的乌鸦意象从类型上可分为世俗意象、历史意象和神话意象;从审美情趣上,可分为“兆悲”和“兆喜”两大类,这主要是由于乌鸦其自身的复杂性以及人们审美情趣的变化造成的。
6)  mythical images
神话形象
1.
Owing to their subject matter are similar to myths,they use mythical images,ideas,plots consciously often,supernatural evil-spirit novels in Ming and Qing Dynasties have been destined with the mythical indissoluble bound.
明清神魔小说因其题材形态上与神话的同一,经常而自觉地借用神话形象、观念、情节等母题,注定了与神话的不解之缘。
补充资料:神象
1.亦作"神像"。 2.指神灵的形象。 3.神鸟的形象。指凤凰。 4.指神的图像﹑塑像。
说明:补充资料仅用于学习参考,请勿用于其它任何用途。
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