1) Chaling School
茶陵派
1.
During the reign of Chenghua and Hongzhi,writers came from Wu region were important part of Chaling School and their writings embodied distinct characteristics.
到了成化、弘治年间,吴地作家成为茶陵派的重要组成部分,他们的创作表现出明显的地域特色。
2) the Chaling school
茶陵派
1.
The officialese style, a style of courtier writers, was developed by profession, whereas the Chaling school refered to those scholars influenced and promoted by Li Dongyang and the classicist school, meaning those writers advocating restoring the classic style in poetry writing, was defined by opinion about literature.
台阁体指馆阁作家的文风 ,是以职缘论 ;茶陵派指李东阳提拔影响下的文人 ,是以人缘论 ;复古派指倡导诗文复古的作家 ,是以文学主张论。
2.
This dissertation is mainly studying and analyzing the Chaling school.
论文以成化、弘治年间的茶陵派为研究对象。
3) the "Cha-Ling Poets"
茶陵诗派
1.
As an important figure of the "Cha-Ling Poets" during the Ming dynasty(1368-1644),Xie Duo(1435-1510) has long been paid less attention to than Li Dongyang(1447-1516),another representative of the poetic group.
谢铎是"茶陵诗派"的重要作家,然长期以来,人们重视李东阳而忽略谢铎。
4) Study on the Chaling School
茶陵派研究
补充资料:茶陵诗派
茶陵诗派 中国明代成化、正德年间的诗歌流派。因该派首领李东阳为茶陵人,故称。成化以后,明王朝的社会弊病日见严重,台阁体的脱离社会现实生活的创作倾向与它的萎弱冗沓、肤浅工巧的文风,越来越不适应文学的发展。为反对台阁体的形式主义文风,李东阳主张学诗应效法唐诗的创作经验,以振兴当时的诗坛。李东阳官至吏部尚书、文渊阁大学士,立朝数十年。他奖掖后进,推举才士,门生满朝。茶陵诗派一时成为诗坛主流。李东阳论诗观点接近严羽,他强调宗法杜甫,比较重视音节、格调和用字法度。虽然生活思想较为贫乏,所作也多为应酬题赠之类,但比台阁体诗要深厚雄浑得多。茶陵派其他诗人如谢铎、何孟春等人也都有一些可读的作品。由于自身弱点,茶陵诗派未能开创诗坛新局面,但其宗法唐诗的主张及师古的创作倾向,却成为前后七子复古运动的先声。 |
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