,elitist academe and mass academe,and probe into respectively their ethos and effects in academic production,by dint of theories of sociology of science and the history of the social sciences of China.

In answering these three fundmental questions, the author puts forward a methodology of "artistic culturology", hoping to find a constructive starting point for the study of Mass Art and Culture in Chinese realistic contexts.

Preliminary investigation of South Korea science popularization policy and its effects on science culture;

Cui Jian: "The Free Style" in Mass Art;

Theories about mass art in China haven t grasped its essence.

The author inquires into historical change and contemporary intention of the sense of"popular art" corresponding to this concept;and meanwhile,gives prominence to an"in termediate"spirit and character between commercial guality and artistry possessed inherently by popular art.

The popular art, on the contrary, is opposed to the above-mentioned esthetic theory, and to the theory of "restriction" in the name of "regularization".

Use of literature,survey and other methods,elaborated general development of Dezhou masses Wushu,analysis of its causes and proposes the development of countermeasures,with a view to receiving the relevant government departments and Wushu enthusiasts attention,contributes force for the development of Wushu in Dezhou City.