1) Chinese and western aesthetic history
中西美学史
1.
"Aesthetic" concept is centered on aesthetic experience in Chinese and western aesthetic history.
在中西美学史上,"审美"概念都以审美经验为中心。
2) Chinese and Western aesthetic history of music
中西音乐美学史
1.
The triple visual angles that the research of the Chinese and Western aesthetic history of music in contemporary China inevitably touches upon are as follows: one is the independent research that takes itself as the object of the work,discussing the aesthetic proposition,the aesthetic category that arises from its own cultural ambience,etc.
中国当代关于中西音乐美学史的研究必然涉及的三重视角:一是以自身为对象进行独立研究,探讨从自身文化氛围中产生出的美学范畴、美学命题等;二是以对方审美理论的问题视角作为参照进行比较研究;三是用现代的音乐美学理论言说方式对历代音乐美学思想进行阐释性美学研究。
3) western aesthetic history
西方美学史
1.
The five symbolic western aesthetic history books are written in three models:the objective,the subjective,the objective and subjective combined types.
而中国的西方美学史写作却只承认一种模式,即所谓客观型。
4) Chinese and Hesperian aesthetics
中西美学
1.
Chinese and Hesperian aesthetics consideration,examination and answer of "what is beauty" can be divided into two kinds of methods:Depiction and description.
中西美学五彩缤纷的“美是什么”的思考、追问与回答,可分为两种方式:叙述与描述。
6) the aesthetic history of China
中国美学史
1.
The actuality of the aesthetic history of China involves in the question of historical factuality.
中国美学史的真实性首先牵扯到历史的真实性问题。
补充资料：《世界电影美学思潮史纲》
中国电影理论专著。罗慧生著。山西人民出版社1987年出版。电影美学思潮史是电影史的一个新分支。本书作了探索性的研究尝试。著者指出，所谓美学思潮，是指那些有过广泛国际影响并在电影艺术发展中代表一定阶段的电影美学思想，而不是指一般的电影流派。以此为论点，本书较系统地评述了各种电影美学思潮盛衰更替的历史。
说明：补充资料仅用于学习参考，请勿用于其它任何用途。
参考词条