1) Wu Shichang
吴世昌
1.
Reflections on Wu Shichang s Poems;
风月繁华记盛时,欲将宝鉴警顽痴——读吴世昌诗词有感
2.
A Noble Charater on the Top of the Pinnacle——On Mr.Wu Shichang’s Academic Thoughts,Methds and its Significance;
掷与江潮万古鸣——试论吴世昌先生的学术思想、方法和意义
3.
Prejudice and Inflexibility——On Re-evaluation of Historical Figures—Comment on HAN Yu by WU Shichang
偏见与执著——吴世昌评韩愈读后
2) Wu Changshuo
吴昌硕
1.
A Study of Wu Changshuo and Huang Binghong s Outlook of "Calligraphy and Painting Developing from the Same Origin";
吴昌硕及黄宾虹书画同源观研究
2.
Wu Changshuo and the Idea Transformation of Shanghai Painting School;
吴昌硕与海上画派的观念转型
3) Wu Changling
吴昌龄
1.
Wu Changling:the Right Author of the Drama A Journey to the West;
《西游记》杂剧作者应归吴昌龄
4) Wu Changshi
吴昌时
1.
It is pointed that the main thread of the whole poem is Zhu-Ting-Hu Villa,which provides new explanation on evaluation of Wu Changshi in Yuan Hu Qu.
同时指出全诗的主线为竹亭湖墅,对《鸳湖曲》一诗有关吴昌时的评价提出了新的见解。
5) WU Chang-shuo
吴昌硕
1.
The Discussion of "Endow Old With New" of WU Chang-shuo s Innovation Theory of Painting;
论吴昌硕“与古为新”的绘画创新思想
2.
A Research on Ren Bo-nian and Wu Chang-shuo s Artistic Form Language;
对任伯年、吴昌硕绘画形式语言的比较研究
6) Wuchangshuo
吴昌硕
1.
After many years of efforts, he succeeded in engraving his “Stone Drum Characters”, the characters of which are unparalleled in history and which has become the important feature of Wuchangshuo’s art sy.
吴昌硕是一位诗书画印全能型的艺术大师,尤以篆书最为“名世绝品”。
2.
Shanghai in the period of modern is under the culture boundary of tradition and modern, east and west of the, in earlier period's drawing of Shanghai the painting thought is the request which passively caters to market, but WuChangshuo's painting thought is a active culture choice ,which contact painting and conserving the Chinese excellent traditional culture together.
中国近现代时期的上海处于传统与现代、东方与西方的文化交界中,早期的上海画坛在绘画思想上是被动地迎合市场的要求,而吴昌硕的绘画思想则是主动的文化抉择,将绘画与保存中国优秀的传统文化联系在一起。
3.
The artistic entitled WuChangShuo s Creative Painting Art, based on the research achievements of predecessors, applied numerous historical documents, calligraphy and painting works and reviews .
作为海上画派的后期代表人物吴昌硕更是独具匠心,他的绘画开创了传统文人画的新境界。
补充资料:吴世昌
吴世昌 吴世昌 清代医家。字半千,湖北江夏人。生平欠详。尝辑《奇方类编》二卷,现有刻本行世。
说明:补充资料仅用于学习参考,请勿用于其它任何用途。
参考词条