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1)  Liao Zhai Zhi Yi Addendum
《聊斋志异拾遗》
1.
The Study of Addendum to Tales from A Carefree Studio;
《得月簃丛书》之《聊斋志异拾遗》
2)  strange tales from a lonely studio
《聊斋志异》
1.
Brief Discussion on Elegance of the Language in"Strange Tales from a Lonely Studio";
略论《聊斋志异》语言的典雅美
2.
The Influence of Ancient Writing Style on Strange Tales from a Lonely Studio——Taking Zuo Zhuan as the Example;
古文笔法对《聊斋志异》的影响——以《左传》为例
3.
Ryuunosuke Akutagawa and Strange Tales from a Lonely Studio:On Decollation;
芥川龙之介与《聊斋志异》——关于《落头之谈》
3)  Liao Zhai Zhi Yi
聊斋志异
1.
The Art of Narrative Language of LIAO ZHAI ZHI YI;
解析《聊斋志异》的叙事语言艺术
2.
Simple Analysis the Aesthetic Spice of "Love Maniac"s Image in Liao Zhai Zhi Yi;
浅析《聊斋志异》中“情痴”形象的审美情趣
3.
Research on the Image of Scholars in Liao Zhai Zhi Yi;
《聊斋志异》书生形象研究
4)  Strange Stories from a Chinese Studio
聊斋志异
1.
"Strange Stories from a Chinese Studio" Expands "Search of Supernatural";
《聊斋志异》对《搜神记》的开拓
2.
Narrative Strategy in Strange Stories from a Chinese Studio;
《聊斋志异》的叙事策略
3.
The Harmony of Human Being and Nature——Pu Song-ling s Ecological View in "Strange Stories from a Chinese Studio";
人与自然圆融共舞——蒲松龄《聊斋志异》的生态观照
5)  Liao Zhai Zhi Yi
《聊斋志异》
1.
On the Communication between Female Fox and Human Being in Liao Zhai Zhi Yi;
浅谈《聊斋志异》中狐女与人的交往
2.
The India Source and Cultural Meaning of the Disaster and Pestilence Description in Liao Zhai Zhi Yi;
《聊斋志异》灾荒瘟疫描写的印度渊源及文化意义
3.
On the Humor Style of Liao Zhai Zhi Yi;
《聊斋志异》幽默风格探析
6)  Strange Stories from a Lonely Studio
《聊斋志异》
1.
On Ideal Heroine Mode in Strange Stories from a Lonely Studio;
《聊斋志异》中理想女主人公模式初探
2.
Viewing the Awakening of Women s Self-consciousness in Strange Stories from a Lonely Studio;
从《聊斋志异》看中国女性意识的觉醒
3.
Talented Ladies in Dream and in Reality --Making a Comparison Between the Two Female Figures in the Caizijiaren - Style Novels and Strange Stories from a Lonely Studio;
梦幻中的才女与现实中的才女——才子佳人小说与《聊斋志异》才女形象之异同
补充资料:陈拾遗故宅
【诗文】:
拾遗平昔居,大屋尚修椽。悠扬荒山日,惨澹故园烟。
位下曷足伤,所贵者圣贤。有才继骚雅,哲匠不比肩。
公生扬马后,名与日月悬。同游英俊人,多秉辅佐权。
彦昭超玉价,郭振起通泉。到今素壁滑,洒翰银钩连。
盛事会一时,此堂岂千年。终古立忠义,感遇有遗编。



【注释】:



【出处】:
全唐诗:卷220_9
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