1) ritual music
仪式音乐
1.
By means of field investigation,this paper analyzes the melody and structural features of the ritual music of "Huantanshen" in Enshi prefecture and gives a cultural explanation of the music phenomenon in the rites.
文章从实地调查入手,对恩施"还坛神"仪式音乐的旋律及结构特征做了初步梳理,并力图对仪式中的音乐现象做出相应的文化阐释。
2.
Through the analyses of the ritual music and singing dancing in the nationals of Dai, Yao, Tujia, Zhuang, and Han, the writer pointed out that the rondo form in part of traditional ritual were the basic music form as well as the basic structural principle of the related traditional ritual, and both of them had the features of the same kinds and same structures.
本文通过对傣、瑶、土家、壮、汉等民族的仪式音乐和歌舞音乐的分析 ,认为在部分传统仪式里 ,回旋体既是音乐的基本曲体结构 ,同时也常常是相关传统仪式的基本结构原则 ,二者具有同型同构特点。
3.
The rites and the ritual music of life not only have reflected the abundant customs and colorful music but also reflected the Mongolian historic traditional culture.
本文借鉴民俗学中有关人生仪礼的研究理论，以台吉乃尔蒙古人的人生仪礼及仪式音乐的实际情况为基础，结合其传统观念，尝试着制作一个研究模式图，进行分析、解释。
2) ceremonial music
仪式音乐
1.
The thesis describes the ceremony and its process by the means of ethnomusicological theory and methods,classifies the ceremonial music and analyzes the music characteristics of the music.
本文运用民族音乐学的理论与方法,对仪式面貌、进程进行描述,对仪式音乐做出分类,并剖析其音乐形态特征。
2.
The situation of ceremonial music activities can be found out in sections of The Books of the Old Testament of Holy Bible.
今天的基督教(含云南少数民族基督教)仪式里崇尚音乐崇拜手段的习俗,可以追溯到三千年以前犹太教圣殿的祭祀仪式,其仪式音乐活动情况至今散见于《圣经。
3.
The writer took the space as one of dimensionalities of analyzing ceremonial music,and held the conception of space classified into three levels of substance,relation and consciousness,which corresponding the grade,order and structure in ceremonial music,explored the state of disorder reflected by ceremonial music during the social variance.
笔者将空间作为仪式音乐分析的一个维度,并将空间的概念分为物质、关系、意识三个层面,以此探寻仪式音乐所隐喻的等级、秩序与结构,以及在社会变迁过程中,仪式音乐所反映的失序与解构状态。
3) ceremony music
仪式音乐
1.
This thesis focuses on the research of the rank,order and structure in its evolution process of the ceremony music.
笔者认为宗教仪式音乐的延续、传承及变化应属仪式本身的自然蜕变过程,隐含着随意性与重整性特征,我们在蜕变中去探究仪式音乐所隐喻的等级、秩序与结构,去发现仪式音乐的解构、重整状态。
2.
The history of Taoism and the Christianity ceremony music can go back to ancient times,so their period of expansion are very long,and it can be divided into two important periods according to their characteristic of development.
道教与基督教仪式音乐的历史源远流长,都有较长时间的发展期,从发展特征来看大致可分为两个重要时期在第二发展期(约公元12至14世纪)中,由于承接第一发展期中各异的发展特点,两教仪式音乐也呈现出民间化与专业化不同的发展特点。
3.
Ceremony music plays an important role in the ceremony of the Olympic Games.
仪式音乐是奥运会仪式的重要元素,本文从北京奥运会开幕式和颁奖仪式音乐的成功运用为出发点,剖析奥运会仪式音乐文化的特征与功能,探究奥运会仪式中音乐文化与体育的完美融合及开幕式音乐多元文化的后续发展问题。
5) Taoism ceremony music
道教仪式音乐
1.
Taoism ceremony music and Christianity ceremony music not only manifests their respective religion characteristic, but also manifests the different characteristic between the East and West music culture tradition and thought.
道教仪式音乐与基督教仪式音乐不仅体现了它们各自独特的宗教特性，还体现出东西方音乐文化传统和思维的不同特点。
6) Christianity ceremony music
基督教仪式音乐
1.
Taoism ceremony music and Christianity ceremony music not only manifests their respective religion characteristic, but also manifests the different characteristic between the East and West music culture tradition and thought.
道教仪式音乐与基督教仪式音乐不仅体现了它们各自独特的宗教特性，还体现出东西方音乐文化传统和思维的不同特点。
补充资料：安住仪式
【安住仪式】
谓菩萨习诸禅定，必须整肃威仪，一遵法式，行之既久，则诸根寂静，正定现前，自然安住，无所勉强，是为安住仪式。
谓菩萨习诸禅定，必须整肃威仪，一遵法式，行之既久，则诸根寂静，正定现前，自然安住，无所勉强，是为安住仪式。
说明：补充资料仅用于学习参考，请勿用于其它任何用途。
参考词条