Brings the Shackles and Handcuffs to Dance —— Brother: Continues to Criticize the National Incorrigibility and Pursues Warmth;

Warmth Showed in Blood , Legitimacy Seeked in Self-control——Analysis of the Movie Godfather Trilogy “Gangsters Philosophy”;

Yan Lianke s work is always filled with warmth in that he attempts to achieve the possibility of clear original meaning through warmth,which he regards as human nature that exceeds time,space and system.

Extreme individuation is his characteristic,which is full of violence and death as well as tenderness.

Through two stages of Yu Hua’s novel creation,displaying the difference of the description of“truth”in these two stages and hackling them into“the eighties-violence”and“the nineties-tenderness”,this thesis discusses these“truths”from these two aspects and explores out its great social significance.

By expressing "tenderness",Liu Qingbang and Chi Zijian broaden the range and art style of performance of lower class literature,going beyond the external detailed description of the suffering,but from human nature and emotion,attempting to show the other side of lower class life with trueness,goodness and beauty.

It is only position moving,and he conveyed his missing and tender feeling to his nation.

However,gleam of tender feeling also glimmers in the texts.

When the relation between him and reality is good, his works are full of affection and hope.

Acting as the sexual partner of the male protagonist in the novels,each woman moves him with her affection and becomes his beloved.

In his former period works the attitude to death is listless concern, but in his latter period works it is warmhearted resistance.

Moreover,the movie heightens artistic effect of warmth and care with elements of comedy,plot from failure to hard work and images with metaphor and symbolic meaning.