1) gender theme
女性意识与女性主题
4) feminist consciousness
女性主义意识
1.
This paper will analyze the two main characters’ feminist consciousness in two aspects: aesthetic image and sacrifice spirit.
本文将利用女性主义视角,从审美形象和牺牲精神两个方面对主人公的女性主义意识进行分析。
2.
After a thorough analysis of its three different versions in light of the sound, word, sentence and text level, the author concludes that translators’ feminist consciousness can directly have an effect on their translating styles and help revealing the creative intentions of the si.
从女性主义视角入手分析杨宪益、戴乃迭、霍克斯和许渊冲等译者在英译《葬花词》中的不同风格和取向以及对《葬花词》三个译本的音、词、句、篇章各层面进行文本分析和数据统计后可以发现,译者的女性主义意识强弱程度直接对译者的翻译风格产生影响,译者的女性主义意识同时也有助于充分体现类似作品的创作用意。
3.
Taking the marriages of Janie, the female protagonist, into consideration, the author discusses the phases of her growth with a feminist critical point of view, tries to explicate how she breaks the bond of patriarchal society, searches for her identity, and develops from an innocent girl into a woman with feminist consciousness.
本文以女主人公珍妮的婚姻问题为线索,运用女性主义批评的观点,讨论她成长的几个阶段,说明她如何冲破父权制社会的束缚,不断地寻求自我,从一个不谙世事的姑娘逐步成为一位具有女性主义意识的成熟妇女。
5) Female Subject Consciousness
女性主体意识
1.
This paper analyses the writing strategy in the developing of female subject consciousness in Jianghan s novels and points out its characteristics.
本文分析蒋韵小说在女性主体意识建构上的书写策略,指出其小说在女性主体意识的建构的特点。
6) female subjectivity
女性主体意识
1.
Male writers concern themselves with male roles, hoping to re-establish the subjective status of male Chinese Americans by shaping the masculinity; while female writers focus on the construction of female subjectivity in order to flow in the stream of feminism.
然而,男性阳刚形象的树立往往是以牺牲女性形象为代价的,女性主体意识的构建又是以主流文化中“男性中心主义”为批判对象的。
2.
This thesis makes a detailed analysis about the causes for her female subjectivity and her struggle for independence and freedom and points out her committing suicide is wordless rebellion against the male-oriented society rather than yielding to fate and is protection of the awakening subjectivity.
《觉醒》描写了主人公艾德娜从一个丧失主体意识的传统家庭妇女成长为具有强烈女性主体意识的新女性的过程。
3.
Dalloway gradually deconstructs the pedantic moral principles and dominant ideas of male chauvinism in the process of seeking selfhood and eventually achieve the birth, revival and growth of female subjectivity.
从女权主义的角度阐述女主人公达洛卫夫人如何从探求自我的过程中逐步解构男权社会的迂腐道德准则与观念,达到女性主体意识的孕育、苏醒和成长的过程。
补充资料:《三个摩登女性》
《三个摩登女性》 中国无声故事片。联华影业公司1933年生产。田汉编剧,卜万苍导演,黄绍芬摄影,主要演员有阮玲玉、金焰、陈燕燕等。影片围绕一位青年演员张榆,描述了3个生活经历不同的年轻女性。影片告诉观众:只有真能自食其力、最理智、最勇敢、最关心大众利益的,才是当代最摩登的女性。同时,也表现出张榆在这几位女性正反两面的教育下,逐步走上新生活道路的过程。阮玲玉和金焰在影片中表演出色,是他们的代表作之一。
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