Cao Yu s play,Thunderstorm and Rain,from an ecological aesthetic perspective,has new meanings which are as follows:it gives charm to nature;it reveals how human being develop fromnatural to unnatural;it displays the relation between women and nature,On the whole,it covers the relation between human being,self,others,society and nature.

The relationship between the architecture ecological aesthetics and the sustainable development;

Expectation of "Re-enchantment" by Ecological Aesthetics;

Rethinking of the Study on Ecological Aesthetics;

The author maintains that the balance and stability of the human society depends,to a great extent, on the process and result of social energy conversion and that artistic and aesthetic activity is a key switch on the“ssembly line”of the energy conversion and augmentation,and eco-aesthetics is the guarding practice of the ideal energy conversion process.

It offers ontological illumination for the research of eco-aesthetics,and it brings enlightenment in avoiding the metal disease of modern people and malady in modern art.

It regarded ecological esthetics as a kind of value,ethic and education concept,and introduced ecological esthetics into research fields of plant protection.

In recent years,there appearing a new esthetic theory:ecological esthetics,which persuing the harmony and unity between human beings and nature.

In recent years there appearing a new esthetics theory: ecological esthetics, which pursuing the harmony and unity between human beings and nature.