1) Border Town
《边城》
1.
The unique writing under multi-cultures——The charm of Border Town in view of reception aesthetics;
多元文化下的独特书写——从接受美学看《边城》的艺术魅力
2.
The Unique Multi—Cultural Writing——The Charm of Border Town in View of Reception—Aesthetics;
从接受美学看《边城》的艺术魅力
3.
A Comparative Analysis on the Consciousness of Death between Border Town and Snowy Country;
《边城》和《雪国》的死亡意识比较
2) Bian Cheng
《边城》
1.
The Beauty of Human Nature Expressed in Bian Cheng;
《边城》歌颂自然的人性美
2.
Feeling the Life through “A Tale of Two Cities”——Ideas about Bian Cheng and Wei Cheng;
透过“双城”看人生——《边城》与《围城》脞谈
3) "Border Town"
《边城》
1.
Review of domestic scholars research on "Border Town" over the past seven decades;
七十年来国内学者《边城》研究述评
2.
This paper holds that there were three kinds of narrative tenses in the novel,"Border Town", namely, the past tense, the present tense and the future tense.
本文以为《边城》文本在叙事语态上存在三种时态,即过去之事、现在之事、未来之事。
4) border town
边城
1.
Border Town----Shen Congwei s “Greece Temple”;
《边城》:沈从文构建的“希腊小庙”
2.
Of that year write down this under a kind ofly what kind of the mindset fromthe text immortally bequeath to posterity it make 《 border town 》 , but appearwhich is the concrete reason of this kind of mindset again?This need from whole upcreate to from the text 《 border town 》 hour of concrete and implicit mindset do alot of system researche.
本文研究的是 20 世纪 30 年代沈从文创作时的心理状态,直接表现在作品上的便是此时的《边城》。
5) The Border Town
边城
1.
Eco-criticism Analysis of the Scenic in The Border Town and Tess of the D Urbervilles;
生态批评视域下的《边城》《苔丝》中的风景如画
2.
Seeking for Archaic Affection:On the Water Archetype of The Border Town and Its Influence;
寻找远古的温情——论《边城》的水原型及其影响力
6) Biancheng
边城
1.
Of Virtues and Love——Speaking Briefly the Image of Cuicui in Biancheng;
美的聚合,爱的载体——浅淡《边城》中翠翠的形象
补充资料:《边城》
中国彩色宽银幕故事片。北京电影制片厂1984年摄制。根据沈从文同名小说改编。编剧,姚云、李隽培;导演,凌子风;摄影,梁子勇;主要演员,冯汉元、戴呐等。影片通过民国初年湘西一个小渡口上老船夫和外孙女翠翠的一段生活,展现了当年山乡村镇的生活风貌。导演在叙事、画面处理等方面对民族美学风格作了可贵的探索,出色地体现了原作的神韵,将优美恬淡的自然景色、古朴纯厚的社会风情、人性的美和人物命运的悲剧色调有机地融为一体,使影片具有抒情散文诗般的清新淡雅和含蓄细腻。本片获第 5届电影金鸡奖最佳导演奖。
说明:补充资料仅用于学习参考,请勿用于其它任何用途。
参考词条