1) poetic formal distinctions criticism
诗学辨体批评
2) Style-discriminating criticism
辨体批评
1.
Style-discriminating criticism is an important approach to literary criticism in ancient China.
辨体批评是中国古代一种重要的批评方法。
3) poetry criticism
诗学批评
1.
It reflects a unique concept of poetry criticism in ancient China.
在诡异奇幻的形式下,它反映出中国古代一种独特的诗学批评观念,它的存在有深刻的历史文化因素,是作家生命形态与艺术风格紧密联系的结果。
2.
The development of the Chinese ancient poetry criticism on "mei" in poetry goes through three stages: it was roughly pregnant with and spread out before the Tang Dynasty.
"媚"是古代诗学批评的重要审美范畴,它既代表着诗家的美学旨趣和审美品格,也体现出文体规范转变。
3.
The political education criticism in view of the poetry theory since the Song Dynasty perfects the connotation of the previous political education poetry criticism and,on the other ha.
宋以降诗学批评视野中的政教之论,主要体现在三个方面:一是对诗歌教化功用的论说;二是对温柔敦厚诗教原则的阐说;三是对诗歌政教批评观念的消解。
4) poetical criticism
诗学批评
1.
The controversy on poems in the Tang and Song Dynasties is the transitional link of classical poetical criticism, it possesses distinctive characteristics itself which are expressed by the fact that poets usually infer the poems from the “doorway”, dividid them by their estheticsal principle and rigulate the Orthodox and Modification Methodology.
明代诗学唐宋之论是古典诗学批评唐宋之争的过渡环节 ,它有自身鲜明的特色 ,表现为 :诗家往往从门户推论 ,依据自身所持诗歌美学原则对唐宋诗予以辩分 ,并据此梳理诗歌正变论 ,这因此展衍了宋元诗学唐宋之争的批评成果 ,为清代诗学唐宋之争内涵的深化累积了丰富的理论概括养
5) poetic criticism
诗学批评
1.
As a form of poetic criticism, poetic notes emerged in Song Dynasty in a narrow sense.
它的出现，是中国古代诗歌繁荣发展的必然要求，也是诗歌创作与诗学批评相互作用而在宋代特定的历史文化背景下所催生的一种新的诗学批评样式。
6) literarycriticism in th eMing Dynasty
明代诗学批评
补充资料：辨体
【辨体】
（术语）五重玄义之一。(参见：玄义)附录。
（术语）五重玄义之一。(参见：玄义)附录。
说明：补充资料仅用于学习参考，请勿用于其它任何用途。
参考词条