1) Niyuan Formation
倪园组
1.
The results of the geological mapping,tracing the marker beds and stratigra- phy fully indicate that both strata of the lower part of the Niyuan Formation(non-reef limestone)and the middle-upper part of the Zhaowei Formation(stromatolite-reef lime- stone)at Tangshanzi of Jiagou,Northern Anhui,were synchronogenic deposits of dif- ferent facies.
皖北夹沟唐山子的岩层界面横向追踪及地层工作结果,显示该地点所存在的上前寒武系倪园组(非礁相岩层)的下部与赵圩组(叠层石礁相岩层)的下部为先后关系,而与赵圩组的中上部为同时不同沉积相的沉积。
3) Ni Zan
倪瓒
1.
Comparing Jian Jiang and Ni Zan’s Differe nt Ways in Learning from the Tradition;
渐江与倪瓒取法传统的比较研究
2.
A Degage and Natural Writing Brush,New and Graceful Calligraphy——Ni Zan s calligraphy and landscape;
逸笔草草——倪瓒书法与其山水画
3.
"Carefree pen" "carefree energy of life" "carefree style" ——the limited view of the inner meaning connection in the painting of NI Zan;
“逸笔”“逸气”“逸格”——蠡测倪瓒绘画中“逸”的内蕴关联
4) Ni Qian
倪谦
1.
On Liaohaibian and Ni Qian s Diplomatic Mission to Korea s Lee Dynasty;
《辽海编》与倪谦出使朝鲜考述
5) Ni Hong
倪鸿
1.
The Buddhist Implication of Lingnan Poet Ni Hong s Poetry;
岭南诗人倪鸿诗歌中的佛学意蕴
2.
Ni Hong (1828-?), also named Yannian, assumed name Yunqu ( ), is a Guilin native of Guangxi Province.
倪鸿(1828—?),字延年,号云癯、耘劬,广西桂林人,为“岭南三大家”中张维屏、黄培芳的入室弟子,诗名颇盛。
6) Nizan
倪瓒
1.
On the Change of Nizan′s Mental State;
倪瓒逸民遗民心态变化论
2.
On NiZan Being More Famous for His Poems than His Paintings;
论倪瓒的当时诗名大于画名
3.
On the Beauty of Artistic Conception of Wangmeng and Nizan s Landscape Patinting;
论王蒙、倪瓒山水画的意境美
补充资料:清倪妪《净土圣贤录》
【清倪妪《净土圣贤录》】
倪妪,法名显真,嘉善人,住北港村。归依佛门,茹素念佛。村中旧有观音像,妪早晚礼拜必诚。每供佛饭僧,俱亲自任劳。嘉庆廿二年九月,数睹菩萨现相。随示疾,谓其子曰,我数见菩萨唤我去,殆将去矣。子云,既菩萨降临,应备斋供,儿亲往城中,买蔬供奉,如何。曰,亦好,恐不及耳。子遂往,及归,妪已趺逝,念珠犹在手也。(染香集)
倪妪,法名显真,嘉善人,住北港村。归依佛门,茹素念佛。村中旧有观音像,妪早晚礼拜必诚。每供佛饭僧,俱亲自任劳。嘉庆廿二年九月,数睹菩萨现相。随示疾,谓其子曰,我数见菩萨唤我去,殆将去矣。子云,既菩萨降临,应备斋供,儿亲往城中,买蔬供奉,如何。曰,亦好,恐不及耳。子遂往,及归,妪已趺逝,念珠犹在手也。(染香集)
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