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1)  alpine hydrology
高山水文
2)  orohydrographic model
高山水文地理模型
3)  mountain zone hydrology
山区水文
1.
The more attention was paid to works of mountain zone hydrology in arid inland river basin in the past; especially on analysis of water amount and runoff come from mountain areas.
过去,干旱地区内陆河流域水文研究主要偏重于山区水文,注重山区来水及径流分析,而很少涉及灌区问题和生态问题,对绿洲水文和荒漠水文的研究十分缺乏。
4)  Landscape culture
山水文化
1.
Based on the philosophical view of "harmonizing relationship between nature and man",ancient Chinese people thought there was no boundary between man and nature and the harmonization of nature and man is the greatest achievement,which caused the production and prosperity of landscape culture.
古代中国人基于"天人合一"的哲学观,产生了人与自然万物可以融为一体,内在性灵与外界自然之间无绝对界限的意识,并且把人与自然合一当作一种最高的境界来追求,从而促使山水文化的产生和繁荣。
2.
This paper, through the thorough analysis of landscape culture, means for garden architecture as well as artistic conception, expounds the theoretical characteristics of chinese classical garden architecture and its continuity and application in modern city planning and building design.
通过对中国古典园林的山水文化、造园手法以及对意境的追求分析 ,阐述了中国古典园林造园理论特征及其在现代城市规划和建筑设计中的延续和应用 。
3.
The long-standing Three Gorges culture is plentiful and profound,mainly including the following aspects: landscape culture,prehistoric culture,race culture,people s livelihood culture,military culture,religious culture,celebrity culture,folk culture,project culture and emigration culture.
研究三峡文化,必须先认识和把握其内涵,源远流长的三峡文化,其内涵博大精深,概括起来,主要包括几个方面:山水文化、史前文化、民族文化、民生文化、军事文化、宗教文化、名人文化、民间文化、工程文化和移民文化。
5)  scenic poem
山水诗文
1.
The natural aesthetics in Su Shi s scenic poems can be concluded as follows: everything can be seen, appreciated, and enjoyed; life is integrated into scenery and poetry inhabits on earth; moral is embodied in matters or events.
苏轼的山水诗文蕴涵的自然审美观可概括为:凡物皆可观,苟有可观,皆有可乐;将生命融入山水,诗意地栖居在大地上;寓意于物而不留意于物。
6)  landscape literature
山水文学
1.
The peculiar contribution towards China s landscape literature made by Shui Jing Zhu embodies the following aspects: First,Li Daoyuan all-sidedly cleared and inherited aesthetic accomplishments as to mountains and waters made by predecessors,affirming that landscape aesthetics was human practical products in theory.
《水经注》对中国山水文学的独特贡献主要体现在:第一,郦道元全面清理并继承了前人有关山水审美的成果,在理论上肯定了山水审美是人类实践的产物;第二,郦道元不是孤立地描写山水,而是将其放在大的自然、地理环境中加以表现,在自然景观中往往有人文景观,人文景观与自然景观紧密结合;第三,《水经注》记山水简练传神,风格清新,深得山水之神韵,直接导启了柳宗元和徐霞客的山水游记。
补充资料:《高山流水》
《高山流水》

    中国古代琴曲。内容与《吕氏春秋》中伯牙鼓琴的故事有关,亦传为伯牙所作。现存曲谱初见于《神奇秘谱》 。《神奇秘谱》本不分段,而后世琴谱多分段。明清以后多种琴谱中,以清代唐彝铭所编《天闻阁琴谱》中所收川派琴家张孔山改编的《流水》有特色,又称七十二滚拂流水,以其形象鲜明、情景交融而广为流传。流行的张孔山加工后的《流水》,保留了传统作品中2、3两段中泛音曲调,加强了4、5两段的按音曲调,增加了6、7两段中流水的描写 ,8 、9两段是4、5两段的再现,全曲由引子(1段)加4个部分 ,共9段组成。另有筝曲《高山流水》,音乐与琴曲不同,为同名异曲。
说明:补充资料仅用于学习参考,请勿用于其它任何用途。
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